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This is the last section of the second part of my VENERATING AN ICON documentary photo essay. If you are starting here, I recommend scrolling to the bottom of this series & starting from part 1. In case you missed it, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For an extended roundup of my research during my residency, visit: For this project, I was really excited to go back to my documentary photo roots. In my earlier photo work, I focused on documenting multicultural communities, sometimes with a special focus on their spiritual practices. I've documented many communities from Nichiren Daishonin Buddhism, Khmer Buddhism, Krishna Consciousness, to precolonial ritualistic practices of Mesoamerica, to Native American pow wows. Religion and spirituality weren’t central to my upbringing, but it was always present. Though I wasn’t raised Catholic, I was excited to document a community tied to my culture & the history of the Philippines. There's some major reasons why my parents decided not to raise me religious, which was a bold move for immigrant parents of their generation, but I'm grateful for that choice they made in raising me. Their choice allowed me to deepen my curiosity for diverse spiritual practices & led me to discover, study & practice my own spiritual & metaphysical beliefs in my day-to-day life & art. Anyways, a lot has changed since my early documentary photo days. I first started off shooting strictly black & white film. I eventually started shooting color film once I lost access to a lab & discovered color film was cheaper to process. A couple of years ago I decided to expand my toolkit and purchased a digital camera for the first time, which I've enjoyed practicing & playing with. I recently took an advanced lighting class & hoped to expand my toolkit even further. One thing I can say for sure is that these are some of the hardest photos I've ever edited. The church banquet hall had all sorts of different tinted overhead lightbulbs. I had to do so much masking to color correct different parts of the room in these photos, which was a time-consuming challenge on top of not compromising the high saturation aesthetic I go for in my color work. All this to say, after taking this lighting class, I have a new appreciation for using flash & wonder if this could have been remedied had I brought my flash with me this time? Flash still intimidated me at that time, & after taking this class, I hope I can apply the skills I've learnt to continue documenting cultural events like these & producing the best images I can each time. I'm trying not to be scared of flash anymore! Check out the photos & let me know what you would have done differently! Images were photographed using my Nikon ZF & 24-70mm lens. Click on an image below to enlarge. I recommend viewing from a computer for the full experience. Even more people brought their Santo Niños this time & it was so cute seeing the diverse kinds that people owned! Some titas even shared interesting stories with me about how they came to own their Santo Niños. One tita told me she allegedly rescued her Santo Niño from the trash. 🤣 She legit told me this. Y'all think she was telling the truth or was she lying at church? This is where all the titas got up & started dancing with their Santo Niños! France on the right with the sheer shawl dancing with the Santo Niño I brought from Cebu. 🕺🏻 Additional photos & research from the rest of my residency are forthcoming & will be tagged under ARROZidency.
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
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The second part of this 3-part series is split into 3 sections, as it's quite long. If you are starting here, I recommend scrolling to the bottom of this series & starting from part 1.
Because these blog posts cannot support video embeds if there is a lot of media content, here is a short video from my YouTube channel that documents part of the Sinulog performance at the second Santo Niño Fiesta we attended. It was so cute seeing the titas get up & dance with their Santo Niños! The last part will have photos of the performance, but it just hits different watching the movements & hearing the sounds of the music & singing. Video was filmed on my iPhone.
And again, in case you missed it, I've split up the work from my residency into 2 separate tags:
For my main residency project only, visit:
For an extended roundup of my research during my residency, visit:
2.3 will be the last section of part 2 of my main residency project series!
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. The second part of this 2-part series will, in itself, be split into 3 sections, as it's quite long. If you are starting here, I recommend scrolling to the bottom of this series & starting from part 1. And, in case you missed it, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For an extended roundup of my research during my residency, visit: The second Santo Niño Fiesta we visited was at Saint Augustine Catholic Church in South San Francisco (which is its own city separate from the City of San Francisco). SSF is the city next to San Bruno, where the first fiesta took place. It is also adjacent to Daly City, where a large FilAm community resides. South San Francisco was just a BART ride away from where I was staying in San Francisco proper. While the interior architecture of this church wasn't as interesting as the first church, there was a lot more to look at within the exterior church complex itself. It reminded me a lot of the churches I've visited in the Philippines. The church was also a lot more spacious, with more room for the Sinulog performance later on. I'll share those photos in parts 2.2-2.3! This event was similar to the last one, where they had a procession for the Santo Niño, Mass, & people brought their own Santo Niños to be blessed. It was actually very exciting to see more people bring their images, & to see the many diverse kinds! Images were photographed using my Nikon ZF & 24-70mm lens. Click on an image below to enlarge. I recommend viewing from a computer for the full experience. Sections 2.2 & 2.3 of part 2 are forthcoming, which will contain both photo & video!
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. Welcome to the last part of this photo blog series, Taiwan Travel: Art, Ritual & the Everyday. If you are just starting here, I recommend scrolling below & starting at part 1! And as promised, here is a map roundup of all the places I visited in Taiwan during this trip. I also included some places I visited during my last trip in 2018, but didn't get to visit them again this time. Make sure to check my notes for each location! :) Nanfang’ao Jin’an TempleBefore the end of my trip, my friends asked me if there was anything else I wanted to do before I left. I asked them if they knew of any temples for the goddess Mazu. They asked how I knew about her, & I told them a good friend of mine told me she always wanted to visit a temple for Mazu & asked if I could go see one during my trip. So we took a short road trip to the coastal town of Su’ao Township in Yilan County, Taiwan to visit the Nanfang’ao Jin’an Temple. By chance, I happened to be there during an annual event that’s scheduled according to the Lunar calendar, making the timing of my visit feel incredibly lucky. From what one of my friends explained to me, this event is essentially folks bringing deities from their local temples to come pay their respects to the goddess Mazu, with some of the statues portrayed even being split incarnations from a Mazu incarnate. Usually, followers will take the split incarnation to a temple that offers the main Mazu shrine to pay their respects. Followers believe that the divine spirits live in these statues, but since the statues cannot move themselves physically, their followers will travel with them to visit Mazu. I couldn't find the exact name of this event. Most of the events I read about online with a similar description say they usually take place in March/April, but this event I experience occurred in November. However, if you are interested in learning more, you can read about the various pilgrimages to Mazu that take place in Taiwan. Who is Mazu & why is is she so special to the Taiwanese people? Mazu was a historical figure who was devoted to her coastal community & died trying to help save fishermen from a shipwreck. After her passing, she was deified. In Taiwan and across the diaspora, people venerate her as a sea goddess and ask for her protection and guidance, especially for those who live or work by the ocean. With Su’ao Township home to the third-largest fishing community in Taiwan, it’s only natural that there are places of worship dedicated to Mazu. The Mazu shrines inside the temple were remarkable and really something to experience in person. There were three floors of shrines in total: one floor featuring a massive jade statue of Mazu, and the top floor showcasing a breathtaking golden Mazu. Here are some photos from the ceremony below. Out of respect, I did not photograph the temple interior since there were people praying, but there are plenty of photos online at the links I provided above! Images were photographed using my Nikon ZF & 24-70mm lens. Click on an image below to enlarge. I recommend viewing from a computer for the full experience. Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. |
NICA AQUINOIn this space I'll share digital previews of my film photography, updates on new artworks in progress, upcoming programs, inspiration & my other misc interests. Archives
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