This visit was a bit of a side quest, since I can't really say for certain my parents spent any time at this destination. Earlier this week, my studio assistant & I went on a little excursion to Pindangan Ruins. This is somewhere I'd always seen nearby in my Google Maps, but kept forgetting about it. My studio assistant & I recently went to a pasalubong (souvenir) shop at the San Fernando town plaza that gives out free travel guide booklets. I was reminded again of this destination when I was reading through this helpful travel guide! According to La Union Tayo!, Pindangan was the original name of the City of San Fernando. Pindangan is derived from the Ilokano word pindang, a method of sun-drying & salt preserving meat, referring to San Fernando as a destination heavy in this type of delicacy. Due to its close proximity to the sea, the original church was at constant risk of attacks from foreign invaders (ironic, since I would consider the Spanish foreign invaders themselves). Originally built by Spanish priests in 1764, the church was eventually moved to the town plaza after a couple of other previous relocations, & it is now known as the Cathedral Parish of Saint William the Hermit. However, the ruin site has a Carmelite monastery, which does have its own small church. While this visit isn't directly related to my family's history, it's still part of my study on contemporary San Fernando & integral to its timeline. Being an Ilokana in the Californian diaspora, I'm particularly interested in the parallels between Filipinos & California Natives. We share the same colonisers — both Spain & the so-called United States — & remnants of the Spanish colonial era still exist in both places. As some of you already know, I did a recent photo documentary series on the celebration of the Santo Niño in contemporary Philippines & the diaspora for my project Venerating an Icon, as part of my recent residency at the Minnesota Street Projects in San Francisco. This project is still in-progress, but I'm aiming to tie up loose ends before the end of this year! The project examined a centuries old Spanish icon that is still glorified throughout the islands & diaspora, & I was especially interested in its context within California, another former colony of Spain when it was part of what was known as New Spain. Without further adue, here are some photos from our outing to the Pindangan Ruins. All photos below are from my Nikon ZF using a Pocket Dispo lens. View from a computer for the full experience. Click any image to enlarge. My fav easter egg I got to encounter during this visit was finding the kusikus pattern on the door frame of this small chapel (I'm assuming that's what the structure was). The kusikus is very Ilokano-specific & refers to whirlwind patterns found on abel ules, or woven inabel blankets. The kusikus comes in many variations, but this is probably the most popular version of it. Woven on blankets slept with at night, the pattern is intended to confuse & scare off bad spirits. Make sure to enlarge the images to check out that kusikus doorframe! Unfortunately, that was as close as I could get, as the property was fenced off & not accessible. Some misc bougainvillea compositions. I love the dual juxtapositions of organic & colorful with grey distressed manmade structure. I also recently found out that bougainvillea is the official provincial flower of La Union. I learnt this through the travel guide booklet I picked up at the pasalubong shop, haha. Being that it is Semana Santa here in the Philippines, you will usually find images of Jesus & crucifixes covered in purple veils. Starting during the Passiontide, or the last two weeks of Lent, they cover Jesus to observe the last days of his life up until his resurrection on Easter, when he is then unveiled. In the Philippines, his unveiling is considered a way of celebrating his resurrection & Easter. The veil is purple to represent royalty, reminding believers that "Christ is King". Just a friendly reminder that I don't believe in any of this shit, LOL. I just find it interesting, so don't come at me! More blog posts on the work I've been producing during my residency will be published in the coming weeks! Make sure to keep checking this space, follow me on Instagram or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
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Semana Santa (Holy Week) in the Philippines is a religious season I've always wanted to experience. It is every goth girl's dream, hahaha (just kidding). All jokes aside, it's considered a big deal in the Philippines due to the country's large Catholic demographic. Not only is it very significant here, Semana Santa in the Philippines is particularly known for the senakulo, a gory reenactment of the passion play & death of Jesus. Senakulo comes from the Spanish word cenáculo, which is Spanish for the Cenacle — the Upper Room in Jerusalem where Jesus held the Last Supper. I'm not sure if our province reenacts such a gruesome senakulo performance, but I am both looking forward to finding out & also kind of scared. 😅 I've only ever seen fake gore on TV, not real gore in real life. Kicking off Semana Santa, I went to the local church at the town plaza in San Fernando, less than a 15 minute walk from my studio at the Balay da Judge, to attend an Ilokano mass for Palm Sunday. I knew the streets would be filled with palaspas, or woven palms. Signifying the start of Semana Santa, Filipinos carry their palaspas in hand to observe Jesus' entry into Jerusalem, where he was greeted with folks waving palms at him. While palaspas has its religious connotations, let's also acknowledge the art of palm weaving as a pre-colonial Indigenous practice. Aside from religious purposes, palm weaving is also used to make vessels to cook rice, baskets, fiesta goods & more. This moment feels full circle for me, since before I came back to the Philippines, I produced a palm weaving workshop for Mata Art Gallery in partnership with Artronika, led by teaching artist Diyan Bukobomba. Check out a recap here! All photos below were created with my Nikon ZF using a Pocket Dispo lens. View from a computer for the full experience. Click any image to enlarge. More blog posts on the work I've been producing during my residency will be coming up this week! Make sure to keep checking this space, or follow me on Instagram for updates. All updates on my residency will be tagged under Balay da Judge.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. |
NICA AQUINOIn this space I'll share digital previews of my film photography, updates on new artworks in progress, upcoming programs, inspiration & my other misc interests. Archives
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