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Sharing more of the extended research & photography of my month long ARROZidency artist-in-residence. If you are just starting here, I recommend scrolling to the bottom to start at the beginning. View from a computer for the full experience! As another reminder, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For the full extended roundup of my research during my residency, visit: A place I really wanted to visit during my time in the Bay was the San Francisco Mission, which I had just learnt was actually split into 2 different structures, including the Mission San Francicso de Asis & then Mission Dolores. For anyone new here, I'm not religious, Catholic or Christian. However, I am interested in the history of the California Missions, because I'm interested in the parallels between the Natives of so-called California & the Natives of the so-called Philippines. Strange, but one of my life goals is to someday visit all 21 California Missions. I've only visited 4. 😅 Anyways, as someone part of the Ilokano/Filipino-Californian diaspora, I'm interested in the parallels between our histories because we share the same colonisers — Spain & the so-called United States of America — with both still having a traumatic chokehold on our cultures. Whenever I visit a church in the Philippines, my first thought is, "This feels like I'm in California." And when I visit a church in California, I find myself thinking the reverse: "I feel like I'm in the Philippines." It's these feelings that lead me to believe that the Californian diasporic experience is particularly unique among Filipinos. [ For some quick comparisons, check out my more recent photos of the church in San Juan, La Union, where my father was baptised in the 1930s & where we had his mass before his internment; the Namacpacan church in Luna, La Union; & the Basilica Minore del Santo Niño de Cebu, where I started my research for this residency. ] The Mission in San Francisco is the oldest structure in the city & it also houses the oldest & only cemetery within the city limits. This was particularly interesting for me, because while I haven't been to many CA Missions yet, this is the only one I've been to (so far?) with a cemetery. I'll share more history on the cemetery below. Starting with some exterior views of the Mission San Francisco de Asis, moving into the interior, to the cemetery, and to the interior of the Mission Dolores Basilica. Photographs were created with my Nikon ZF & a 24-70mm lens. Click any image below to enlarge. Mission San Francisco de Asis Exterior 
Mission San Francisco de Asis Interior
  St. Joseph's Altar (1810). Anonymous. wood, gold leaf, oil paint. Left to right: St. John of Capistrano, Saint Joseph, St. Bonaventure.
 St. Anthony's Altar (1810). Anonymous. wood, gold leaf, oil paint. Left to right: St. Pascual of Baylón, St. Anthony of Padua, St. Francis of Solano.    Reredos, Main Altar (1797). Anonymous. wood, gold leaf, oil paint. According to church signage: The reredos was crafted in Mexico and brought to the mission in 1797. Clockwise from top left: St. Francis of Assisi in ecstasy. St. Joachim, father of Mary. St. Michael the Archangel. St. Clare of Assisi, founder of the order known as the Poor Clares. St. Francis of Assisi with the stigmata. St. Anne, mother of Mary. Crucifix. Mary under the title of the Immaculate Conception. Tabernacle. After a quick search, I learnt that a reredos is a type of altarpiece. According to Britannica: altarpiece, work of art that decorates the space above and behind the altar in a Christian church. Painting, relief, and sculpture in the round have all been used in altarpieces, either alone or in combination. These artworks usually depict holy personages, saints, and biblical subjects. Several technical terms are associated with altarpieces. The predella is a low, decorated strip intended to raise the main part of the altarpiece to a height where it is readily visible from a distance. A diptych is an altarpiece consisting of two painted panels, a triptych has three panels, and a polyptych has four or more panels. A winged altarpiece is one equipped with movable wings that can be opened or closed over a fixed central part, thereby allowing various representations to be exposed to view. The term reredos is used for an ornamental screen or partition that is not directly attached to the altar table but is affixed to the wall behind it. The term retable simply refers to any ornamental panel behind an altar.
Ceiling. MISSION INNER-EXTERIOR + CEMETERY
Pictured right is the Mission museum, which houses a fair amount of Native crafts & artifacts from the Ohlone people. To be honest, I didn't want to take photos of any of it. 😕  Ceramic mosaic mural by San Francisco artist, Guillermo Granizo (1923-1996). According to Granizo, "In the garden of the mission is a mural of the Spanish Ship "San Carlos" that was sent by the Spaniards to the Pueblo San Francisco to sponsor and colonize the area." Mission Dolores CemeteryFor centuries, the Native Raymatush Ohlone inhabited the peninsula. Near the Mission was once the Chutchui village, where Franciscan monks later decided to build the Mission. While the church interiors were interesting to me, I was particularly drawn to the cemetery because it was my first time seeing one at one of the CA Missions. And it wasn't just interesting to me because I love gothic aesthetics! It actually has a disturbing & dark history (no pun intended). Interred at this cemetery are around 5,000 Native Ohlone people. Sources say that they supposedly died due to bad weather & diseases brought from Europe. Somehow, I have a feeling the "bad weather" reason is a crock of shit. We all know by now that genocide of Native people via disease & illnesses is nothing new, especially now as we are witnessing the genocide of the Palestinian people, whom the Israeli government has blocked from receiving life-saving COVID-19 vaccines. There's also no way I counted 5,000 headstones at this cemetery, so they were likely buried together in an unmarked mass grave. Like all the other CA Missions, this one was no different. It was built by the forced labor of CA Natives, who were called "Indios" & violently forced to convert to Catholicism & adopt a Spanish name — just like the Natives of the so-called Philippines.  Statue of St. Francis of Assisi.
What I find particularly resonant is the work of Ohlone descendants to honor their ancestors, who were wrongfully killed by Spanish colonisers on this property and buried here. In 2001, members of their community built this Ohlone tule hut as a lasting memorial to them.
I hope one day this statue of Junipero Serra is toppled, too. 😤
Also at this cemetery is a statue of Kateri Tekakwitha, who apparently was a Native Mohawk woman from New York who converted to Catholicism & later became a saint. Beneath her statue reads "In prayerful memory of our faithful Indians." Some believe she was placed in the cemetery to ease animosity between the Natives & the Mission, & to serve as a marker for those unnamed.
Unfortunately, I couldn't find who this statue is of. 😅 If you happen to know, please feel free to drop a comment! I did love the juxtaposition of the statue with the green & the orange cone, so I decided to keep these in color.  Mission Dolores BasilicaWhile the Mission San Francisco de Asis was founded in 1776 (technically JUST before the United States was established as a country!), the Mission Dolores Basilica was built 100 years after in 1876. I don't know what more to say about this basilica, other than the fact that it reminds me of churches in the Philippines. 😅 This was the last space I visited at the Mission site. I didn't get any photos of the ceiling mural, but make sure to look up if you visit. While the small Mission church certainly had its own charm, the basically was epic in comparison.
 
 
Additional photos & research from the rest of my residency are forthcoming & will be tagged under ARROZidency.
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
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As I've concluded my main project for my residency, I'm now sharing the rest of my photography, research & experience during my month-long ARROZidency. If you are just starting here, I recommend scrolling to the bottom to start at the beginning. View from a computer for the full experience! As another reminder, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For an extended roundup of my research during my residency, visit: Prior to arriving in San Francisco, I was notified that we would be having a studio visit from a curator at the Asian Art Museum, just a few days after I settled into the studio. It was a bit stressful to prepare some work to present in advance! However, it was also exciting and satisfying. As a residency participant, I was happy I received the full experience that was advertised: the opportunity to connect with curators & other artists. Of course, I could have gone simple & just made a few prints or brought in some older work, but I like making my life more difficult. 🥴 That also wouldn't have really resembled my aesthetic, & I wanted to present something closer to the type of work that I actually make. By now, most people know that my work is mainly lens-based, but in the last decade I've been thinking a lot about grief & offerings to the metaphysical & what this can look like — so, like I've done in the past, I wanted the two practices to meet. A friend pointed out recently that I use a lot of red in my work, & I haven't been able to stop thinking about it ever since. For this installation, I wanted to stick to a color palette of red, gold & black as closely as possible, similar to the riso prints I made for this project. And although it may seem like hoarding, I promise there's a method to my madness & a reason why I collect so much ephemera on any trips I take, & it's because I know they'll be used again for an installation at some point or repurposed in some way. The installation was untitled, but it combined my newer photography with ephemera collected from recent trips to the Philippines, with each tier serving as a mini altar and offering to each place or item. original mock-up & Final InstallationPictured left is the mock-up of the installation that I'd originally envisioned. As you can see, it had slight edits later, as well as some additions of items I didn't originally photograph for the mock-up. When we think of altars & the spirit realms, we often think of tiers, namely the 3 tiers of the underworld, physical world, & spirit world. Originally, I'd wanted to create a 3-tier installation, which would have made more sense for me, but wall space was limited & I wanted a decent amount of spacing in between columns. I also think a lot about tiers when thinking about the homeland, & the tiered rice paddies throughout our region that have been tended to by generations of ancestors. Everything from the collection of ephemera to the size choice is a reference to the maximalism & space limitations many of us experienced in working class immigrant households. Our family always wanted to maximise any small space to display as many memories as they could share, whether it was small printed photos from family gatherings, or prayer cards wedged into a corner of a frame. Click any image below to enlarge. Installation shots were photographed with my Nikon ZF & a 24-70mm lens.
EphemeraMost pictured here were used in the installation. Some ended up not being used, but I photographed them for the purposes of including them in mock-up designs. Some additional misc ephemera ended up being added at the last minute, because I randomly found them later in my junk collection (sadly, not pictured below). I've always been in the practice of collecting ephemera from trips, both as memory keepsakes & also to think about how they could be repurposed in the future. While not all that is shown below ended up being used in the installation, each had its own significance that I look back on fondly. Here's a description list for each item. Click on an image below for its corresponding number, but it will go from left to right. 1. This rosary wasn’t collected in the Philippines. It was left on an altar I made for my late friend Xam, placed there by his mother. It goes on every altar installation I create now, & even though he is gone, it's my small way of inviting him. 2 & 7. Prayer booklets & prayer card in Bisaya & English, & mini statue that I purchased from a religious souvenir shop opposite the basilica in Cebu, where I also purchased my Santo Niño statue (#4). 3. Plane tickets on my first ever trip to Cebu — hopefully not the last trip, because there's still so much more I need to explore on that island! 4. Small wooden Santo Niño statue I purchased at the religious souvenir shop opposite the basilica in Cebu. This is the same statue I brought with me to get blessed during the two Santo Niño Fiestas photographed in my VENERATING AN ICON photo essay project. 5-6, 11. Prayer booklet & prayer cards I purchased at a religious souvenir shop at the Namacpacan Church in Luna, La Union — home of the largest image of the Mama Mary (Apo Baket) across the archipelago. More on this below. 8. Ceramic Santo Niño sculpture I found at a public market while shopping for woven items in San Fernando, La Union. 9. My memory is hazy, but I think I bought this rosary at the religious souvenir shop at Namacpacan Church, or possibly the one in Cebu. 10 & 13. Mama Mary keychain & screenprinted Ilokano prayer cloth from the religious souvenir shop at Namacpacan Church. My original mock-up incorporated the prayer cloth, but the size was so much bigger than everything else, it threw the design off-balance, so I scratched it. 12. Receipt from a clothing shop near the basilica in Cebu. Much like the Vatican in Italy, they JUST started enforcing a dress code only a couple of days before we visited. They wouldn't let me in, because they could see the backs of my knees! I had to find a shop nearby that sold long skirts that I could put over my dress. 14-16. Magnets we bought on the street next to the basilica in Cebu. I ended up not using any of these in the final installation, & instead ended up giving some to my residency host. All of these were photographed on a table outside with my iPhone, then I uploaded them into Canva & used the background remover tool. 😅                 PHOTO PRINTS:Printed digital photos in order of appearance from left column to right column in the installation. Left column of photos were from my 2024 visit to Cebu City to visit the original image of the Santo Niño de Cebu. Left column of photos were from my 2024 visit to Luna, La Union to visit the Apo Baket. You can read more about both trips, the history, research & significance of them in my photo series Return Call. I knew that for this installation, I wanted to include photography from my trip to Cebu, because it was closely related to the work I would be doing in my residency, photographing the Santo Niño Fiestas. However, I decided to include photos of my recent trip to Luna, because similarly to the Santo Niño de Cebu, the Mama Mary in Luna also has miraculous lore behind her dating back to the Spanish colonial period. However, while it's true that her existence in Luna is miraculous, she gets nowhere near as much tourism as the Santo Niño de Cebu does, & seems more like just a local legend instead of an international wonder. I wanted to juxtapose the two, because while I may be Filipina, Cebu & the Bisayas are not my culture, as someone with origins in the Ilokano provinces of the Northern Philippines. I wanted to include something closer to our culture to be more representative of the local history of the region we're from. Photos 1-4 were from Cebu. Photos 5-9 were from Luna. Click an image below to enlarge.          Studio Visits:Lastly, I got to have a few studio visits with some local artists & others. This residency was so busy, because nearly every day I was working on something, going somewhere, meeting someone, or having someone over for a studio visit. Here are some photos from some of the visits I had: Photos by Adrian Discipulo. It was exciting to meet Adrian for multiple reasons. Before starting the residency, I was raising funds & selling some of my work left over from an art fair a few months prior. Adrian ended up contacting me online for one of the prints. When asking for his mailing address, I saw he was based in NorCal & told him I would be there for a month, if he wanted to stop by the studio, because I appreciate trying to meet my buyers when I can. It eases my mind to know who I'm selling to is a decent person & the work will go to a good home. Anyways, he ended up coming by. He is also a photographer, which was fun to have someone to talk about gear with! After getting to know each other a bit, we also learnt that our families are both from the same province in the Philippines, from neighboring towns! The town where my parents went to school & university, next to the town where they were born. It's always exciting to meet someone else from the same province, let alone town! We also got to check out some exhibition openings for San Francisco Art Week over at the Minnesota Street Project galleries, just opposite the studios. I will share these photos later! The soft quality of Adrian's photos was my fav. Thank you for these!
Photos by Ellie Lopez. Ellie is a NorCal-based poet I got to work with on a photography x poetry program for my project MATA ART GALLERY. She ended up coming by to visit & bought some remaining prints. We ended up going on an impromptu visit to the San Francisco botanical garden, where we learnt we both love pro-wrestling, LOL! We had dinner at a vegan restaurant near the garden & ended the night with boba. It was great to spend 1:1 time with someone I kept in touch with online for so long. She was so kind, supportive & generous. Thank you for visiting!
Lastly, my older brother was kind enough to come up to visit me for a few days. He has a fond connection to the Bay, since he lived there for 7 years. We had so much fun doing classic San Francisco stuff, like riding the streetcars (which I haven't done since I was a kid), riding the ferris wheel, eating seafood & ice cream at the pier, & driving up to Petaluma to visit our cousin who had just given birth. He also helped me deinstall & pack up my studio, which felt so bittersweet. The month was so busy, it truly went by so fast. Silly pics from my brother's iPhone below, because I can't always be serious about everything all the time! If you know, you know. *queues entrance music*
Additional photos & research from the rest of my residency are forthcoming & will be tagged under ARROZidency.
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. This is the last section of the second part of my VENERATING AN ICON documentary photo essay. If you are starting here, I recommend scrolling to the bottom of this series & starting from part 1. In case you missed it, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For an extended roundup of my research during my residency, visit: For this project, I was really excited to go back to my documentary photo roots. In my earlier photo work, I focused on documenting multicultural communities, sometimes with a special focus on their spiritual practices. I've documented many communities from Nichiren Daishonin Buddhism, Khmer Buddhism, Krishna Consciousness, to precolonial ritualistic practices of Mesoamerica, to Native American pow wows. Religion and spirituality weren’t central to my upbringing, but it was always present. Though I wasn’t raised Catholic, I was excited to document a community tied to my culture & the history of the Philippines. There's some major reasons why my parents decided not to raise me religious, which was a bold move for immigrant parents of their generation, but I'm grateful for that choice they made in raising me. Their choice allowed me to deepen my curiosity for diverse spiritual practices & led me to discover, study & practice my own spiritual & metaphysical beliefs in my day-to-day life & art. Anyways, a lot has changed since my early documentary photo days. I first started off shooting strictly black & white film. I eventually started shooting color film once I lost access to a lab & discovered color film was cheaper to process. A couple of years ago I decided to expand my toolkit and purchased a digital camera for the first time, which I've enjoyed practicing & playing with. I recently took an advanced lighting class & hoped to expand my toolkit even further. One thing I can say for sure is that these are some of the hardest photos I've ever edited. The church banquet hall had all sorts of different tinted overhead lightbulbs. I had to do so much masking to color correct different parts of the room in these photos, which was a time-consuming challenge on top of not compromising the high saturation aesthetic I go for in my color work. All this to say, after taking this lighting class, I have a new appreciation for using flash & wonder if this could have been remedied had I brought my flash with me this time? Flash still intimidated me at that time, & after taking this class, I hope I can apply the skills I've learnt to continue documenting cultural events like these & producing the best images I can each time. I'm trying not to be scared of flash anymore! Check out the photos & let me know what you would have done differently! Images were photographed using my Nikon ZF & 24-70mm lens. Click on an image below to enlarge. I recommend viewing from a computer for the full experience.  Even more people brought their Santo Niños this time & it was so cute seeing the diverse kinds that people owned! Some titas even shared interesting stories with me about how they came to own their Santo Niños. One tita told me she allegedly rescued her Santo Niño from the trash. 🤣 She legit told me this. Y'all think she was telling the truth or was she lying at church?
 
 
 
This is where all the titas got up & started dancing with their Santo Niños! France on the right with the sheer shawl dancing with the Santo Niño I brought from Cebu. 🕺🏻
       Additional photos & research from the rest of my residency are forthcoming & will be tagged under ARROZidency.
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
The second part of this 3-part series is split into 3 sections, as it's quite long. If you are starting here, I recommend scrolling to the bottom of this series & starting from part 1.
Because these blog posts cannot support video embeds if there is a lot of media content, here is a short video from my YouTube channel that documents part of the Sinulog performance at the second Santo Niño Fiesta we attended. It was so cute seeing the titas get up & dance with their Santo Niños! The last part will have photos of the performance, but it just hits different watching the movements & hearing the sounds of the music & singing. Video was filmed on my iPhone.
And again, in case you missed it, I've split up the work from my residency into 2 separate tags:
For my main residency project only, visit:
For an extended roundup of my research during my residency, visit:
2.3 will be the last section of part 2 of my main residency project series!
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. The second part of this 2-part series will, in itself, be split into 3 sections, as it's quite long. If you are starting here, I recommend scrolling to the bottom of this series & starting from part 1. And, in case you missed it, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For an extended roundup of my research during my residency, visit: The second Santo Niño Fiesta we visited was at Saint Augustine Catholic Church in South San Francisco (which is its own city separate from the City of San Francisco). SSF is the city next to San Bruno, where the first fiesta took place. It is also adjacent to Daly City, where a large FilAm community resides. South San Francisco was just a BART ride away from where I was staying in San Francisco proper. While the interior architecture of this church wasn't as interesting as the first church, there was a lot more to look at within the exterior church complex itself. It reminded me a lot of the churches I've visited in the Philippines. The church was also a lot more spacious, with more room for the Sinulog performance later on. I'll share those photos in parts 2.2-2.3! This event was similar to the last one, where they had a procession for the Santo Niño, Mass, & people brought their own Santo Niños to be blessed. It was actually very exciting to see more people bring their images, & to see the many diverse kinds! Images were photographed using my Nikon ZF & 24-70mm lens. Click on an image below to enlarge. I recommend viewing from a computer for the full experience.
   
   
Sections 2.2 & 2.3 of part 2 are forthcoming, which will contain both photo & video!
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. This visit was a bit of a side quest, since I can't really say for certain my parents spent any time at this destination. Earlier this week, my studio assistant & I went on a little excursion to Pindangan Ruins. This is somewhere I'd always seen nearby in my Google Maps, but kept forgetting about it. My studio assistant & I recently went to a pasalubong (souvenir) shop at the San Fernando town plaza that gives out free travel guide booklets. I was reminded again of this destination when I was reading through this helpful travel guide! According to La Union Tayo!, Pindangan was the original name of the City of San Fernando. Pindangan is derived from the Ilokano word pindang, a method of sun-drying & salt preserving meat, referring to San Fernando as a destination heavy in this type of delicacy. Due to its close proximity to the sea, the original church was at constant risk of attacks from foreign invaders (ironic, since I would consider the Spanish foreign invaders themselves). Originally built by Spanish priests in 1764, the church was eventually moved to the town plaza after a couple of other previous relocations, & it is now known as the Cathedral Parish of Saint William the Hermit. However, the ruin site has a Carmelite monastery, which does have its own small church. While this visit isn't directly related to my family's history, it's still part of my study on contemporary San Fernando & integral to its timeline. Being an Ilokana in the Californian diaspora, I'm particularly interested in the parallels between Filipinos & California Natives. We share the same colonisers — both Spain & the so-called United States — & remnants of the Spanish colonial era still exist in both places. As some of you already know, I did a recent photo documentary series on the celebration of the Santo Niño in contemporary Philippines & the diaspora for my project Venerating an Icon, as part of my recent residency at the Minnesota Street Projects in San Francisco. This project is still in-progress, but I'm aiming to tie up loose ends before the end of this year! The project examined a centuries old Spanish icon that is still glorified throughout the islands & diaspora, & I was especially interested in its context within California, another former colony of Spain when it was part of what was known as New Spain. Without further adue, here are some photos from our outing to the Pindangan Ruins. All photos below are from my Nikon ZF using a Pocket Dispo lens. View from a computer for the full experience. Click any image to enlarge. 
 My studio assistant getting some practice with composition. :')
My fav easter egg I got to encounter during this visit was finding the kusikus pattern on the door frame of this small chapel (I'm assuming that's what the structure was). The kusikus is very Ilokano-specific & refers to whirlwind patterns found on abel ules, or woven inabel blankets. The kusikus comes in many variations, but this is probably the most popular version of it. Woven on blankets slept with at night, the pattern is intended to confuse & scare off bad spirits. Make sure to enlarge the images to check out that kusikus doorframe! Unfortunately, that was as close as I could get, as the property was fenced off & not accessible.   Some misc bougainvillea compositions. I love the dual juxtapositions of organic & colorful with grey distressed manmade structure. I also recently found out that bougainvillea is the official provincial flower of La Union. I learnt this through the travel guide booklet I picked up at the pasalubong shop, haha.   Being that it is Semana Santa here in the Philippines, you will usually find images of Jesus & crucifixes covered in purple veils. Starting during the Passiontide, or the last two weeks of Lent, they cover Jesus to observe the last days of his life up until his resurrection on Easter, when he is then unveiled. In the Philippines, his unveiling is considered a way of celebrating his resurrection & Easter. The veil is purple to represent royalty, reminding believers that "Christ is King". Just a friendly reminder that I don't believe in any of this shit, LOL. I just find it interesting, so don't come at me!
More blog posts on the work I've been producing during my residency will be published in the coming weeks! Make sure to keep checking this space, follow me on Instagram or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.  Another piece where the scan does the colors no justice!
This untitled multimedia piece, consisting of goache on a digital photo print, is a collaboration between me & fellow Filipina-American artist, Vanessa Briones. Vanessa & I have been good friends & collaborators for the last 7 years, & I felt so lucky I got to spend a lot of quality time with her again during my recent residency in San Francisco. It was nice to co-work adjacent to her at my SF studio space! This idea, where I ask other artists to paint their vision in their style over my photo prints, is something I've thought of doing for years. Not only did I get to spend more than one day with Vanessa, I am honored she got to be the first to attempt this experimentation with me. The photo is of Namacpacan Church in Luna, La Union, which you can read about its lore & history in my blog post Return Call Part 3. This collaborative idea is something I hope I can develop into a series & get more artists involved in. Leave a comment or hit up my email if you're interested in attempting this with me! Thank you to everyone who took the time to read my previous post, Return Call Part 1. All the positive comments were overwhelmingly sweet & encouraging. For this second installment of my Return Call blog series, I revisited one of my favorite cities in the Philippines: Baguio, located in the province of Benguet in the Cordilleras region of the north. Baguio is one of my dream cities I'd love to live in someday if I could. The art scene is booming, the city is full of life, the weather & scenery are just gorgeous. While my family is from a coastal region of the north, the mountains always resonated with me more than the ocean does, which is why I think Baguio appeals to me more than our hometown. But, also not saying I don't love La Union either. ;) Anyways, here's some places we got to visit this time around. We were there just for a day trip, but got to fit in activities I've always wanted to cross off my bucket list. These photos were taken on my Nikon ZF, exported low-res versions to my mobile phone using the Nikon SnapBridge app, then lightly edited through the Photos app on my iPhone. View this post from a computer for the full experience. Click an image below to enlarge. Feel free to leave a nice comment & share your thoughts. 🥰 W A R N I N G! Below are images of traditional artworks that portray sexual activities & body parts. Scroll cautiously if you are viewing at work or school. I am not responsible for you getting fired or kicked out of school! Baguio Cathedral of Our Lady of the AtonementNot much to say about this one, but you all know how much I love examining church architecture, art & iconography. This cathedral once acted as an evacuation center during WWII, & was one of the few buildings in the city that survived carpet bombing by the US military. Because there was a mass happening inside when we visited the church, I was unable to explore the interior. However, the crucifix outside, leading up to the steps of the church, was probably my fav feature. 
Ili Likha Artists' VillageThis is a space I just found out about recently through a friend. Created by Philippine national artist Kidlat Tahimik, Ili Likha is an art center with several sculptures and installations throughout the space, a theatre, multiple eateries & souvenir shops with plenty of handmade gifts & goodies. You can learn more about them through their Facebook or Instagram pages. Heads up for those of you who use wheelchairs or struggle with stairs — The space is situated inside of an old building with multiple floors & levels that are not handicap accessible. 😔  
 
Loved the gorgeous mosaics found throughout the building, especially along this stairwell.  Playing sungka! Or some of you may know this game as mancala.  Oh My Gulay!Oh My Gulay is a vegetarian/vegan artist cafe also created by Kidlat Tahimik & his family. Gulay is Tagalog for vegetables. 🍆 OMG has been on my bucket list for years & I'm glad I finally got to make it! This restaurant not only has installations and architecture similar to those at Ili Likha, but it also houses a small art gallery for emerging artists, as well as more art displays throughout. OMG is located on a penthouse top floor. If I remember correctly, you need to climb around 5 flights of stairs, but the view is breathtaking once you finally get to the top. Because of how old the building is, this is another location that is sadly not handicap accessible or friendly for wheelchair users. :( Even my senior mom, who is in fairly descent shape for her age, was struggling to get to the top floor. I hope someday, by some miracle, a lift is built to help bring customers to the top to enjoy the view & this gem of a dining establishment. It's unlike any other restaurant I've been to & I'd love for everyone to be able to access & enjoy it! You can learn more about Oh My Gulay & the Victor Oteyza Community Art Space (VOCAS Gallery) on their Facebook pages. Sorry to anyone who doesn't use FB — I, personally, don't use it either!
   Check out Nona Garcia's collection of hyper-realistic paintings in her solo exhibition After Artists at the VOCAS Gallery located inside Oh My Gulay. The paintings were so realistic, I thought they were photographs upon first glance, until I got closer and realised they were paintings. Definitely check them out in-person if you happen to be passing through Baguio while the exhibition is still up.
 BenCab MuseumThe BenCab Museum is also another landmark in Baguio that has been on my bucket list for years. It seemed that the coolest places to visit in Baguio were all located quite far from the city center. That being said, I couldn't visit them all, & decided to visit the BenCab Museum for this short trip. I would love to return again someday for the full experience. Unfortunately, because it was rainy that day, we couldn't check out the whole BenCab Museum campus, which also features Mr. BenCab's organic farm & garden. Benedicto Reyes Cabrera, AKA BenCab, is also another National Artist of the Philippines. The museum contains displays of his own artworks, as well as rotating exhibitions & works from his permanent collection.  
Imelda Cajipe-Endaya is a Filipina artist whose work I adore & have always wanted to see in-person. I didn't know what to expect when visiting the museum, but it was a real treat being surprised & getting to see her work in real life. (Right on the right image above) 
   
 End of the day... Back at the bus terminal.It was a long day. I do not recommend taking the bus or driving to Baguio on a weekend day. What is usually a 1.5 trip on the bus ended up taking 3 hours each way! Definitely go on a weekday, leave early, or plan to spend a night or weekend if you do go on a weekend day.
   During this trip, we also visited a weaving art shop called Narda's, but I didn't take any photos of it, haha. Next time, some more places I'd love to visit in Baguio include Tam-awan Village, Valley of Colors, Easter Weaving, Our Lady of Lourdes Grotto (if you know me, you know I LOVE The Grotto in Portland — It's one of my fav places on this planet), Baguio Night Market, Mt. Cloud Bookshop, Baguio Botanical Garden, & a couple cafes around the city.
If you fancy it, here's a Google Map I created of places I've visited in the past, during this trip, & the places I would still like to visit in Baguio. Feel free to save the map for your future reference! Feel free to leave a nice comment & share your thoughts. 🥰 It's been exactly 5 years since I've returned to the motherland. The last time I was in the Philippines was to bury my father back in 2019. I'd been wanting to return more frequently since then, but the pandemic suddenly came out of left field. Even on my way over, I can't say I was comfortable being trapped in multiple airports & planes with herds of unmasked & coughing people for what turned out to be over 24 hours of commuting. But, I knew if I didn't do this now, it may be a long time until I could return. After losing my full-time employment in early September, I answered the return call to come home once again... Here's the first installment of some pics pulled from my Nikon ZF. I no longer have a Lightroom subscription, so I imported these lower-res pics over to my mobile via the Nikon SnapBridge app & did some light edits through the photos app on my iPhone. More to come, & film photos will be available when I get back to the states, process & scan them all. Can't wait to tell you all about my new film scanner, too. Stay tuned! Enjoy! Feel free to leave a nice comment & let me know what you think. ;) View from a computer for the full experience. Click an image below to enlarge.
 Some public transportation watching in San Fernando (top right & bottom) & San Juan town proper (top left). I love the public transportation in the Philippines. There's nothing else like it! And I love all the names people give their jeepneys. This one, for example, was named Alaska Halibut. 😆 The following photos are of the church my father was baptised in, & where we also held his mass before we buried him. It turns out St. John the Baptist Church was built sometime in the late 1600s or early 1700s. It is where most of my family on my father's side were baptised, married, &/or also had their mass before burial. This church is very special to my family. 🙏🏽 Please note — I, myself, do not identify as religious. Throughout my work, I document colonial legacies specifically relating to religions & their iconography, more specifically Christianity & its lasting influences through contemporary times. It's probably one of my fav themes to explore!
   
 Not a great pic at all because of the glare, but this creepy display was motion censored & abruptly lit up when my niece & I walked close to it! Scared the shit out of us & I just wanted to share a crappy photo for you to all see what we were looking at. We weren't exactly sure who the figure inside was supposed to be, because there was no signage indicating who it was. However, we believe based on the stigmata on the feet, that maybe this is supposed to be Jesus? 🤷🏻♀️
 🌾 Rice harvest season: Life in Dangdangla, San Juan, La Union, Philippines. Dangdangla is a small barangay in the municipality of San Juan. It has a population of roughly 1000 residents. For those of you who don't know, the simplest way to translate the word barangay (ba-ran-gy) to English would be village or community? The word originated from the balangay, which was a type of boat used by the Austronesians when they sailed & settled in the Philippines. The word was originally pronounced ba-la-ngay.    
My first time to see a carabao out in the wild & close up! The carabao (kalabaw/karabaw) is a type of water buffalo & is known as the national animal of the Philippines, symbolising hard work. Carabao were often found helping with rice cultivation. 💪🏽🐂
Lastly, I ended my river excursion in Dangdangla with a rare double rainbow sighting. 🌈 To me, one rainbow is already remarkable. But to experience a double rainbow in the land my ancestors once thrived in felt like a blessing, & hopefully a good omen.
In pre-colonial Philippine culture, there is a belief that the soul is transported to the afterlife through maritime travel by a boat that flows down a river, & is then returned to nature to guide their descendants. I'd like to think maybe this was a sign from my father, saying "Welcome home, kid. I'm here if you need me." 🤲🏽 Stay tuned for digital pics from my upcoming adventures to Baguio & Cebu! 📸 |
NICA AQUINOIn this space I'll share digital previews of my film photography, updates on new artworks in progress, upcoming programs, inspiration & my other misc interests. Archives
February 2026
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