Category: Documentary Photography

Sharing more of the extended research & photography of my month long ARROZidency artist-in-residence.

If you are just starting here, I recommend scrolling to the bottom to start at the beginning. View from a computer for the full experience!

As another reminder, I've split up the work from my residency into 2 separate tags:

For my main residency project only, visit:

For the full extended roundup of my research during my residency, visit:

ARROZidency

It was Sunday, February 2, 2025. The rain was making its way through San Francisco & I had a ticket to the Asian Art Museum's free admission day. The rain was coming down & I remember being on the phone with my partner in the morning, asking him if I should still go, because it was raining & I wanted to be cozy. 😅 He encouraged me to go, because I may never get another chance to experience this again. I got dressed & had a short bike ride over to the museum from my sublet in Nob Hill.

I was hoping that even though it was the free admission day, that not many people would be there because it was raining. I was sadly mistaken, haha! It was a bit too crowded for my taste, too noisy, I had a hard time navigating the galleries, some of the galleries were closed for installation, & from what I did get to see, I wasn't really impressed with the exhibitions.

However, the main thing I wanted to experience at the museum was the lion dance performance. Having experienced my first lion dance performance just the year prior, I wanted to relive that electrifying feeling again.

While the program was sadly so unorganized, the performance itself was so much fun to experience. At this time, having just left LA for this residency as the fires were erupting, I wanted to bring back some good fortune and cast off any lingering bad energy before returning to LA.

🐍 I hope everyone is feeling the energy of rebirth and renewal as we all finish shedding our skin from the year of the wood snake. Now, as we enter the year of the fire horse, I wish everyone a happy Chinese New Year, Tết, and Seollal!

Fun fact: I was born in the year of the horse (in the 1900s)! The horse is known for being strong, independent & anti-authoritarian by nature. May we all channel our big fire horse energy this year as we dream of a future where authority & hierarchies no longer exist. ❤️‍🔥🐎

Shout out LionDanceME for their high-energy performance! Here's some photos of their performance from last year.

Photographs were created with my Nikon ZF & a 24-70mm lens.

Click any image below to enlarge.

Additional photos & research from the rest of my residency are forthcoming & will be tagged under ARROZidency.

Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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ARROZidency Research: Mission San Francisco de Asis & Mission Dolores Basilica

2/5/2026

For the full extended roundup of my research during my residency, visit:

A place I really wanted to visit during my time in the Bay was the San Francisco Mission, which I had just learnt was actually split into 2 different structures, including the Mission San Francicso de Asis & then Mission Dolores.

For anyone new here, I'm not religious, Catholic or Christian. However, I am interested in the history of the California Missions, because I'm interested in the parallels between the Natives of so-called California & the Natives of the so-called Philippines.

Strange, but one of my life goals is to someday visit all 21 California Missions. I've only visited 4. 😅

Anyways, as someone part of the Ilokano/Filipino-Californian diaspora, I'm interested in the parallels between our histories because we share the same colonisers — Spain & the so-called United States of America — with both still having a traumatic chokehold on our cultures. Whenever I visit a church in the Philippines, my first thought is, "This feels like I'm in California." And when I visit a church in California, I find myself thinking the reverse: "I feel like I'm in the Philippines." It's these feelings that lead me to believe that the Californian diasporic experience is particularly unique among Filipinos.

[ For some quick comparisons, check out my more recent photos of the church in San Juan, La Union, where my father was baptised in the 1930s & where we had his mass before his internment; the Namacpacan church in Luna, La Union; & the Basilica Minore del Santo Niño de Cebu, where I started my research for this residency. ]

The Mission in San Francisco is the oldest structure in the city & it also houses the oldest & only cemetery within the city limits. This was particularly interesting for me, because while I haven't been to many CA Missions yet, this is the only one I've been to (so far?) with a cemetery. I'll share more history on the cemetery below.

Starting with some exterior views of the Mission San Francisco de Asis, moving into the interior, to the cemetery, and to the interior of the Mission Dolores Basilica.

Photographs were created with my Nikon ZF & a 24-70mm lens.

Click any image below to enlarge.

Mission San Francisco de Asis Exterior

Mission San Francisco de Asis Interior

St. Joseph's Altar (1810). Anonymous. wood, gold leaf, oil paint.
Left to right: St. John of Capistrano, Saint Joseph, St. Bonaventure.

St. Anthony's Altar (1810). Anonymous. wood, gold leaf, oil paint.
Left to right: St. Pascual of Baylón, St. Anthony of Padua, St. Francis of Solano.

Reredos, Main Altar (1797). Anonymous. wood, gold leaf, oil paint.

According to church signage:

The reredos was crafted in Mexico and brought to the mission in 1797.

Clockwise from top left: St. Francis of Assisi in ecstasy. St. Joachim, father of Mary. St. Michael the Archangel. St. Clare of Assisi, founder of the order known as the Poor Clares. St. Francis of Assisi with the stigmata. St. Anne, mother of Mary. Crucifix. Mary under the title of the Immaculate Conception. Tabernacle.

After a quick search, I learnt that a reredos is a type of altarpiece.

According to Britannica:

altarpiece, work of art that decorates the space above and behind the altar in a Christian church. Painting, relief, and sculpture in the round have all been used in altarpieces, either alone or in combination. These artworks usually depict holy personages, saints, and biblical subjects.

Several technical terms are associated with altarpieces. The predella is a low, decorated strip intended to raise the main part of the altarpiece to a height where it is readily visible from a distance. A diptych is an altarpiece consisting of two painted panels, a triptych has three panels, and a polyptych has four or more panels. A winged altarpiece is one equipped with movable wings that can be opened or closed over a fixed central part, thereby allowing various representations to be exposed to view. The term reredos is used for an ornamental screen or partition that is not directly attached to the altar table but is affixed to the wall behind it. The term retable simply refers to any ornamental panel behind an altar.

Ceiling.

MISSION INNER-EXTERIOR + CEMETERY

Pictured right is the Mission museum, which houses a fair amount of Native crafts & artifacts from the Ohlone people. To be honest, I didn't want to take photos of any of it. 😕

Ceramic mosaic mural by San Francisco artist, Guillermo Granizo (1923-1996). According to Granizo, "In the garden of the mission is a mural of the Spanish Ship "San Carlos" that was sent by the Spaniards to the Pueblo San Francisco to sponsor and colonize the area."

Mission Dolores Cemetery

For centuries, the Native Raymatush Ohlone inhabited the peninsula. Near the Mission was once the Chutchui village, where Franciscan monks later decided to build the Mission.

While the church interiors were interesting to me, I was particularly drawn to the cemetery because it was my first time seeing one at one of the CA Missions. And it wasn't just interesting to me because I love gothic aesthetics! It actually has a disturbing & dark history (no pun intended).

Interred at this cemetery are around 5,000 Native Ohlone people. Sources say that they supposedly died due to bad weather & diseases brought from Europe. Somehow, I have a feeling the "bad weather" reason is a crock of shit. We all know by now that genocide of Native people via disease & illnesses is nothing new, especially now as we are witnessing the genocide of the Palestinian people, whom the Israeli government has blocked from receiving life-saving COVID-19 vaccines.

There's also no way I counted 5,000 headstones at this cemetery, so they were likely buried together in an unmarked mass grave. Like all the other CA Missions, this one was no different. It was built by the forced labor of CA Natives, who were called "Indios" & violently forced to convert to Catholicism & adopt a Spanish name — just like the Natives of the so-called Philippines.

Statue of St. Francis of Assisi.

What I find particularly resonant is the work of Ohlone descendants to honor their ancestors, who were wrongfully killed by Spanish colonisers on this property and buried here. In 2001, members of their community built this Ohlone tule hut as a lasting memorial to them.

I hope one day this statue of Junipero Serra is toppled, too. 😤

Also at this cemetery is a statue of Kateri Tekakwitha, who apparently was a Native Mohawk woman from New York who converted to Catholicism & later became a saint. Beneath her statue reads "In prayerful memory of our faithful Indians." Some believe she was placed in the cemetery to ease animosity between the Natives & the Mission, & to serve as a marker for those unnamed.

Unfortunately, I couldn't find who this statue is of. 😅 If you happen to know, please feel free to drop a comment! I did love the juxtaposition of the statue with the green & the orange cone, so I decided to keep these in color.

Mission Dolores Basilica

While the Mission San Francisco de Asis was founded in 1776 (technically JUST before the United States was established as a country!), the Mission Dolores Basilica was built 100 years after in 1876.

I don't know what more to say about this basilica, other than the fact that it reminds me of churches in the Philippines. 😅 This was the last space I visited at the Mission site. I didn't get any photos of the ceiling mural, but make sure to look up if you visit. While the small Mission church certainly had its own charm, the basically was epic in comparison.

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ARROZidency Studio Visits + Installation

1/27/2026

As I've concluded my main project for my residency, I'm now sharing the rest of my photography, research & experience during my month-long ARROZidency.

If you are just starting here, I recommend scrolling to the bottom to start at the beginning. View from a computer for the full experience!

As another reminder, I've split up the work from my residency into 2 separate tags:

For my main residency project only, visit:

For an extended roundup of my research during my residency, visit:

Prior to arriving in San Francisco, I was notified that we would be having a studio visit from a curator at the Asian Art Museum, just a few days after I settled into the studio. It was a bit stressful to prepare some work to present in advance! However, it was also exciting and satisfying. As a residency participant, I was happy I received the full experience that was advertised: the opportunity to connect with curators & other artists.

Of course, I could have gone simple & just made a few prints or brought in some older work, but I like making my life more difficult. 🥴 That also wouldn't have really resembled my aesthetic, & I wanted to present something closer to the type of work that I actually make.

By now, most people know that my work is mainly lens-based, but in the last decade I've been thinking a lot about grief & offerings to the metaphysical & what this can look like — so, like I've done in the past, I wanted the two practices to meet. A friend pointed out recently that I use a lot of red in my work, & I haven't been able to stop thinking about it ever since. For this installation, I wanted to stick to a color palette of red, gold & black as closely as possible, similar to the riso prints I made for this project.

And although it may seem like hoarding, I promise there's a method to my madness & a reason why I collect so much ephemera on any trips I take, & it's because I know they'll be used again for an installation at some point or repurposed in some way. The installation was untitled, but it combined my newer photography with ephemera collected from recent trips to the Philippines, with each tier serving as a mini altar and offering to each place or item.

original mock-up & Final Installation

Pictured left is the mock-up of the installation that I'd originally envisioned. As you can see, it had slight edits later, as well as some additions of items I didn't originally photograph for the mock-up.

When we think of altars & the spirit realms, we often think of tiers, namely the 3 tiers of the underworld, physical world, & spirit world. Originally, I'd wanted to create a 3-tier installation, which would have made more sense for me, but wall space was limited & I wanted a decent amount of spacing in between columns. I also think a lot about tiers when thinking about the homeland, & the tiered rice paddies throughout our region that have been tended to by generations of ancestors.

Everything from the collection of ephemera to the size choice is a reference to the maximalism & space limitations many of us experienced in working class immigrant households. Our family always wanted to maximise any small space to display as many memories as they could share, whether it was small printed photos from family gatherings, or prayer cards wedged into a corner of a frame.

Click any image below to enlarge. Installation shots were photographed with my Nikon ZF & a 24-70mm lens.

Ephemera

Most pictured here were used in the installation. Some ended up not being used, but I photographed them for the purposes of including them in mock-up designs. Some additional misc ephemera ended up being added at the last minute, because I randomly found them later in my junk collection (sadly, not pictured below).

I've always been in the practice of collecting ephemera from trips, both as memory keepsakes & also to think about how they could be repurposed in the future. While not all that is shown below ended up being used in the installation, each had its own significance that I look back on fondly. Here's a description list for each item. Click on an image below for its corresponding number, but it will go from left to right.

1. This rosary wasn’t collected in the Philippines. It was left on an altar I made for my late friend Xam, placed there by his mother. It goes on every altar installation I create now, & even though he is gone, it's my small way of inviting him.

2 & 7. Prayer booklets & prayer card in Bisaya & English, & mini statue that I purchased from a religious souvenir shop opposite the basilica in Cebu, where I also purchased my Santo Niño statue (#4).

3. Plane tickets on my first ever trip to Cebu — hopefully not the last trip, because there's still so much more I need to explore on that island!

4. Small wooden Santo Niño statue I purchased at the religious souvenir shop opposite the basilica in Cebu. This is the same statue I brought with me to get blessed during the two Santo Niño Fiestas photographed in my VENERATING AN ICON photo essay project.

5-6, 11. Prayer booklet & prayer cards I purchased at a religious souvenir shop at the Namacpacan Church in Luna, La Union — home of the largest image of the Mama Mary (Apo Baket) across the archipelago. More on this below.

8. Ceramic Santo Niño sculpture I found at a public market while shopping for woven items in San Fernando, La Union.

9. My memory is hazy, but I think I bought this rosary at the religious souvenir shop at Namacpacan Church, or possibly the one in Cebu.

10 & 13. Mama Mary keychain & screenprinted Ilokano prayer cloth from the religious souvenir shop at Namacpacan Church. My original mock-up incorporated the prayer cloth, but the size was so much bigger than everything else, it threw the design off-balance, so I scratched it.

12. Receipt from a clothing shop near the basilica in Cebu. Much like the Vatican in Italy, they JUST started enforcing a dress code only a couple of days before we visited. They wouldn't let me in, because they could see the backs of my knees! I had to find a shop nearby that sold long skirts that I could put over my dress.

14-16. Magnets we bought on the street next to the basilica in Cebu. I ended up not using any of these in the final installation, & instead ended up giving some to my residency host.

All of these were photographed on a table outside with my iPhone, then I uploaded them into Canva & used the background remover tool. 😅

PHOTO PRINTS:

Printed digital photos in order of appearance from left column to right column in the installation. Left column of photos were from my 2024 visit to Cebu City to visit the original image of the Santo Niño de Cebu. Left column of photos were from my 2024 visit to Luna, La Union to visit the Apo Baket. You can read more about both trips, the history, research & significance of them in my photo series Return Call.

I knew that for this installation, I wanted to include photography from my trip to Cebu, because it was closely related to the work I would be doing in my residency, photographing the Santo Niño Fiestas.

However, I decided to include photos of my recent trip to Luna, because similarly to the Santo Niño de Cebu, the Mama Mary in Luna also has miraculous lore behind her dating back to the Spanish colonial period. However, while it's true that her existence in Luna is miraculous, she gets nowhere near as much tourism as the Santo Niño de Cebu does, & seems more like just a local legend instead of an international wonder. I wanted to juxtapose the two, because while I may be Filipina, Cebu & the Bisayas are not my culture, as someone with origins in the Ilokano provinces of the Northern Philippines. I wanted to include something closer to our culture to be more representative of the local history of the region we're from.

Photos 1-4 were from Cebu. Photos 5-9 were from Luna.

Click an image below to enlarge.

Studio Visits:

Lastly, I got to have a few studio visits with some local artists & others. This residency was so busy, because nearly every day I was working on something, going somewhere, meeting someone, or having someone over for a studio visit.

Here are some photos from some of the visits I had:

Photos by Adrian Discipulo. It was exciting to meet Adrian for multiple reasons. Before starting the residency, I was raising funds & selling some of my work left over from an art fair a few months prior. Adrian ended up contacting me online for one of the prints. When asking for his mailing address, I saw he was based in NorCal & told him I would be there for a month, if he wanted to stop by the studio, because I appreciate trying to meet my buyers when I can. It eases my mind to know who I'm selling to is a decent person & the work will go to a good home.

Anyways, he ended up coming by. He is also a photographer, which was fun to have someone to talk about gear with! After getting to know each other a bit, we also learnt that our families are both from the same province in the Philippines, from neighboring towns! The town where my parents went to school & university, next to the town where they were born. It's always exciting to meet someone else from the same province, let alone town! We also got to check out some exhibition openings for San Francisco Art Week over at the Minnesota Street Project galleries, just opposite the studios. I will share these photos later!

The soft quality of Adrian's photos was my fav. Thank you for these!

Photos by Ellie Lopez. Ellie is a NorCal-based poet I got to work with on a photography x poetry program for my project MATA ART GALLERY. She ended up coming by to visit & bought some remaining prints. We ended up going on an impromptu visit to the San Francisco botanical garden, where we learnt we both love pro-wrestling, LOL! We had dinner at a vegan restaurant near the garden & ended the night with boba. It was great to spend 1:1 time with someone I kept in touch with online for so long. She was so kind, supportive & generous. Thank you for visiting!

Lastly, my older brother was kind enough to come up to visit me for a few days. He has a fond connection to the Bay, since he lived there for 7 years. We had so much fun doing classic San Francisco stuff, like riding the streetcars (which I haven't done since I was a kid), riding the ferris wheel, eating seafood & ice cream at the pier, & driving up to Petaluma to visit our cousin who had just given birth. He also helped me deinstall & pack up my studio, which felt so bittersweet. The month was so busy, it truly went by so fast.

Silly pics from my brother's iPhone below, because I can't always be serious about everything all the time! If you know, you know. *queues entrance music*

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Venerating an icon: Santo Niño in Contemporary Philippines & the Diaspora (Part 3 of 3)

1/27/2026

This is the last part of my 3-part series, VENERATING AN ICON. I originally was not planning to make a part 3, but recently came across the original proposal for this project & thought it would be fun to share. It's fun to look back at how I envisioned the project panning out & to have accomplished what I proposed!

Again, for anyone who's just hopping on to this series, I recommend scrolling to the bottom of & starting from part 1.

In case you missed it, I've split up the work from my residency into 2 separate tags:

For my main residency project only, visit:

For an extended roundup of my research during my residency, visit:

Nica Aquino x ARROZidency 2025 Proposal

Check out my proposal deck. After viewing the project, what do you think? Did I accomplish what I proposed, or is there more you would have liked to see?

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Venerating an icon: Santo Niño in Contemporary Philippines & the Diaspora (Part 2.3 of 3)

1/22/2026

This is the last section of the second part of my VENERATING AN ICON documentary photo essay. If you are starting here, I recommend scrolling to the bottom of this series & starting from part 1.

In case you missed it, I've split up the work from my residency into 2 separate tags:

For my main residency project only, visit:

For an extended roundup of my research during my residency, visit:

For this project, I was really excited to go back to my documentary photo roots. In my earlier photo work, I focused on documenting multicultural communities, sometimes with a special focus on their spiritual practices. I've documented many communities from Nichiren Daishonin Buddhism, Khmer Buddhism, Krishna Consciousness, to precolonial ritualistic practices of Mesoamerica, to Native American pow wows. Religion and spirituality weren’t central to my upbringing, but it was always present. Though I wasn’t raised Catholic, I was excited to document a community tied to my culture & the history of the Philippines. There's some major reasons why my parents decided not to raise me religious, which was a bold move for immigrant parents of their generation, but I'm grateful for that choice they made in raising me. Their choice allowed me to deepen my curiosity for diverse spiritual practices & led me to discover, study & practice my own spiritual & metaphysical beliefs in my day-to-day life & art.

Anyways, a lot has changed since my early documentary photo days. I first started off shooting strictly black & white film. I eventually started shooting color film once I lost access to a lab & discovered color film was cheaper to process. A couple of years ago I decided to expand my toolkit and purchased a digital camera for the first time, which I've enjoyed practicing & playing with.

I recently took an advanced lighting class & hoped to expand my toolkit even further. One thing I can say for sure is that these are some of the hardest photos I've ever edited. The church banquet hall had all sorts of different tinted overhead lightbulbs. I had to do so much masking to color correct different parts of the room in these photos, which was a time-consuming challenge on top of not compromising the high saturation aesthetic I go for in my color work.

All this to say, after taking this lighting class, I have a new appreciation for using flash & wonder if this could have been remedied had I brought my flash with me this time? Flash still intimidated me at that time, & after taking this class, I hope I can apply the skills I've learnt to continue documenting cultural events like these & producing the best images I can each time. I'm trying not to be scared of flash anymore!

Check out the photos & let me know what you would have done differently!

Images were photographed using my Nikon ZF & 24-70mm lens.

Click on an image below to enlarge. I recommend viewing from a computer for the full experience.

Even more people brought their Santo Niños this time & it was so cute seeing the diverse kinds that people owned! Some titas even shared interesting stories with me about how they came to own their Santo Niños. One tita told me she allegedly rescued her Santo Niño from the trash. 🤣 She legit told me this. Y'all think she was telling the truth or was she lying at church?

This is where all the titas got up & started dancing with their Santo Niños! France on the right with the sheer shawl dancing with the Santo Niño I brought from Cebu. 🕺🏻

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Venerating an icon: Santo Niño in Contemporary Philippines & the Diaspora (Part 2.2 of 3)

1/22/2026

The second part of this 3-part series is split into 3 sections, as it's quite long. If you are starting here, I recommend scrolling to the bottom of this series & starting from part 1.

Because these blog posts cannot support video embeds if there is a lot of media content, here is a short video from my YouTube channel that documents part of the Sinulog performance at the second Santo Niño Fiesta we attended. It was so cute seeing the titas get up & dance with their Santo Niños! The last part will have photos of the performance, but it just hits different watching the movements & hearing the sounds of the music & singing.

Video was filmed on my iPhone.

And again, in case you missed it, I've split up the work from my residency into 2 separate tags:

For my main residency project only, visit:

For an extended roundup of my research during my residency, visit:

2.3 will be the last section of part 2 of my main residency project series!

Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Venerating an icon: Santo Niño in Contemporary Philippines & the Diaspora (Part 2.1 of 3)

1/22/2026

The second part of this 2-part series will, in itself, be split into 3 sections, as it's quite long. If you are starting here, I recommend scrolling to the bottom of this series & starting from part 1.

And, in case you missed it, I've split up the work from my residency into 2 separate tags:

For my main residency project only, visit:

For an extended roundup of my research during my residency, visit:

The second Santo Niño Fiesta we visited was at Saint Augustine Catholic Church in South San Francisco (which is its own city separate from the City of San Francisco). SSF is the city next to San Bruno, where the first fiesta took place. It is also adjacent to Daly City, where a large FilAm community resides.

South San Francisco was just a BART ride away from where I was staying in San Francisco proper. While the interior architecture of this church wasn't as interesting as the first church, there was a lot more to look at within the exterior church complex itself. It reminded me a lot of the churches I've visited in the Philippines. The church was also a lot more spacious, with more room for the Sinulog performance later on. I'll share those photos in parts 2.2-2.3!

This event was similar to the last one, where they had a procession for the Santo Niño, Mass, & people brought their own Santo Niños to be blessed. It was actually very exciting to see more people bring their images, & to see the many diverse kinds!

Images were photographed using my Nikon ZF & 24-70mm lens.

Click on an image below to enlarge. I recommend viewing from a computer for the full experience.

Sections 2.2 & 2.3 of part 2 are forthcoming, which will contain both photo & video!

Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Venerating an icon: Santo Niño in Contemporary Philippines & the Diaspora (Part 1 of 3)

1/21/2026

2025 was an unpredictable year, but one of the best I've ever had. After losing my job in September 2024, I experienced a prolonged period of unemployment. Instead of immediately seeking new work, I chose to take time off and use my savings to take a risk & prioritise my creative growth — something I recognise is a massive privilege.

In February 2024, I had a visit at my home studio from the brilliant France Viana. At this point in my life, I had been ill for nearly four months, visiting doctors and specialists, and undergoing extensive medical testing. I needed some good news.

Before her visit, France & I were connecting via email through a mutual friend, & she ended up making her way down from the Bay & took the time to visit me during her very busy LA itinerary. We enjoyed tea & mochi on the deck, connected over the type of work we both make & themes we enjoy exploring. After learning we were interested in many of the same things, namely spirituality & the metaphysical, she generously extended a month-long artist residency at her studio at the Minnesota Street Project in San Francisco. I was elated.

During my ARROZidency, I focused on a documentary photo essay series centering the annual Santo Niño fiestas in the Bay Area — a celebration most of my NorCal friends didn't even know existed! This project then served as an extension of my work studying the Philippine-American diaspora, specifically the Californian diaspora.

Before the project, I did some background research in the Philippines and visited THE original Santo Niño de Cebu. I wanted to know why the Santo Niño was such a venerated icon in both the islands & the diaspora. When it finally came down to starting the residency & the project, I appreciated the background research I did, as it informed a different lens I couldn't have gone in with, had I not done any previous research or traced back the origins.

Fast-forward to today (January 2026), it took me over a year to finally complete the main part of this project (this does not include the extended research I did while in the Bay!). Following my ARROZidency, I immediately left for the Philippines where I lived for two months & completed another month-long residency (with work I'm also trying to finish!), then came back to the US to another drawn-out sequence of unexpected health issues.

This has been one of the most challenging projects I've worked on, as the photos were incredibly challenging to edit! But, more on that later. I'm excited to finally get this project off the ground & share about the work I made.

I've put together 2 tags for my 2025 ARROZidency:

For my main residency project only, visit:

For an extended roundup of my research during my residency, visit:

Since my ARROZidency project is quite long, I’ve broken it up into 3 parts, with part 2 further divided into 3 sections.

Some background on part 1: We attended 2 Santo Niño Fiestas, which I was not expecting, but was happy I got to experience both. We got into a bit of a kerfuffle with the first fiesta, because we were instructed on one location & were never informed that the event was being relocated. We were already running on Filipino time as it was, so we arrived at the location we thought we had to report to, only to find that no one was there! After getting a hold of the organisers, we were told that the location moved. 😅 It was a bit of a mess, but we eventually made it.

I hadn’t attended Mass since we buried my dad in the Philippines. Though I don’t share the Catholic Church’s beliefs and took on this project as a documentary exercise, I’ve always admired Catholic artistry and was genuinely excited when we arrived on location.

The first part of this series took place at Saint Robert's Catholic Church in San Bruno, California.

Images were photographed using my Nikon ZF & 24-70mm lens.

Click on an image below to enlarge. I recommend viewing from a computer for the full experience.

The Feast Day of the Santo Niño is typically celebrated on the third Sunday of January in the Philippines. The date celebrates the day the icon of the Holy Child was gifted to the Philippines by Ferdinand Magellan in the 1500s, marking the introduction of Christianity to the archipelago. This date could be confused with the day the image of the Holy Child was discovered in Cebu, but you can read more about these dates on the Basilica Minore del Santo Niño de Cebu website (the basilica in Cebu where the original Santo Niño lives).

In the Bay Area of Northern California, Catholic FilAm devotees come from all over the region to attend the annual Santo Niño Fiestas. They bring their own Santo Niño statues, which the priests go around to bless with holy water following the Mass. I brought my own Santo Niño, which I purchased at a gift shop opposite the basilica in Cebu.

After the blessing & conclusion of the Mass, it was followed by Sinulog dancers. Sinulog is a festival held in Cebu every third Sunday of January, celebrating the Santo Niño & the Christianization of the Philippines. Though originally a religious celebration, Cebu locals have shared with me that Sinulog has become much like Mardi Gras, drawing people from across the islands and around the world who come less for its religious meaning and more so to party.

For this Santo Niño Fiesta, I felt very lucky to experience it, because I was told this was the first time they ever invited Sinulog dancers to perform after the Mass!

Part 2 in itself will be broken up into 3 different sections, as it was even longer than this one! But the images are more exciting (in my opinion), & I'll have some video to share as well.

Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Taiwan Travel: Art, Ritual & the Everyday (Visiting the Sea Goddess, Part 3 of 3)

12/31/2025

Welcome to the last part of this photo blog series, Taiwan Travel: Art, Ritual & the Everyday. If you are just starting here, I recommend scrolling below & starting at part 1!

And as promised, here is a map roundup of all the places I visited in Taiwan during this trip. I also included some places I visited during my last trip in 2018, but didn't get to visit them again this time. Make sure to check my notes for each location! :)

Nanfang’ao Jin’an Temple

Before the end of my trip, my friends asked me if there was anything else I wanted to do before I left. I asked them if they knew of any temples for the goddess Mazu. They asked how I knew about her, & I told them a good friend of mine told me she always wanted to visit a temple for Mazu & asked if I could go see one during my trip.

So we took a short road trip to the coastal town of Su’ao Township in Yilan County, Taiwan to visit the Nanfang’ao Jin’an Temple. By chance, I happened to be there during an annual event that’s scheduled according to the Lunar calendar, making the timing of my visit feel incredibly lucky.

From what one of my friends explained to me, this event is essentially folks bringing deities from their local temples to come pay their respects to the goddess Mazu, with some of the statues portrayed even being split incarnations from a Mazu incarnate. Usually, followers will take the split incarnation to a temple that offers the main Mazu shrine to pay their respects. Followers believe that the divine spirits live in these statues, but since the statues cannot move themselves physically, their followers will travel with them to visit Mazu.

I couldn't find the exact name of this event. Most of the events I read about online with a similar description say they usually take place in March/April, but this event I experience occurred in November. However, if you are interested in learning more, you can read about the various pilgrimages to Mazu that take place in Taiwan.

Who is Mazu & why is is she so special to the Taiwanese people? Mazu was a historical figure who was devoted to her coastal community & died trying to help save fishermen from a shipwreck. After her passing, she was deified. In Taiwan and across the diaspora, people venerate her as a sea goddess and ask for her protection and guidance, especially for those who live or work by the ocean.

With Su’ao Township home to the third-largest fishing community in Taiwan, it’s only natural that there are places of worship dedicated to Mazu. The Mazu shrines inside the temple were remarkable and really something to experience in person. There were three floors of shrines in total: one floor featuring a massive jade statue of Mazu, and the top floor showcasing a breathtaking golden Mazu.

Here are some photos from the ceremony below. Out of respect, I did not photograph the temple interior since there were people praying, but there are plenty of photos online at the links I provided above!

Images were photographed using my Nikon ZF & 24-70mm lens.

Click on an image below to enlarge. I recommend viewing from a computer for the full experience.

Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Nütt at Cypress Park Branch Library (Photos)

12/16/2025

Last Saturday, December 13, I got to check out a photo zine pop-up & punk show at our local library in Cypress Park, Northeast Los Angeles. I grew up in LA, but we've lived in CP for 10 years now, & despite the rapid gentrification happening in our neighborhoods, we love NELA for its unique offerings like these.

I got to reconnect with my friend Valerie J. Bower, whom I haven't seen since before the pandemic. Her photography is not only an inspiration to me, but her hard-working ethic truly shines through, & it's just cool to know another Filipina-American artist with similar interests as me (photography & underground music). She even gifted me a signed copy of one of her zines! Such an honor to add to my collection. I've been wanting to make another photo zine for years, but I struggle with getting myself organised. 🥴

After the show, we got some free zines from Razorcake & some printed media from the UCLA Library Punk Collective. Then I went into the library to check out some DVDs. With the way streaming has been going (both video & music), I've been trying to beef up my record collection, have started getting into collecting cassettes (more affordable), & we started buying DVDs. On occasion, we'll walk to the library to see what DVDs they currently have on rotation, too. Support your local library! And I hope one day the library will respond to me when I've asked them about doing programming there, too. 😅

Anyways, here are a few photos I made with my Nikon ZF & Pocket Dispo lens. These are not intended to be artistic, per se, or professionally packaged, just made for fun. :)

Click any image below to enlarge. I recommend viewing from a computer for the full experience.

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Dia de los Muertos at Heritage Square Museum

11/7/2025

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If you're reading this: Congratulations! You made it to Friday & survived another week of this capitalist hellscape & arbitrary white supremacy culture... We did it. 🥲

I'm up late trying to finish this photo blog. Shout out to all my creatives who stay up late working on their art, while having a day job in the morning that they need to report to in order to survive & support their creative practice... It's not easy to balance both. I've struggled with it a lot in the past & found that my creative practice always has to take a back seat to wage labor & surviving capitalism. It's hard not to be depressed knowing that is just reality & there's nothing you can really do about it, but oh well, I guess.

Anyways, here's some photos from Heritage Square Museum's Dia de los Muertos event last weekend. It was our first time visiting Heritage Square Museum (despite living in Northeast LA for over 10 years!) & it was really interesting. We would love to go back another time when there isn't a massive event going on & actually check out the historic homes and other sites on the property.

Growing up in Los Angeles, Dia de los Muertos has always been one of my favorite celebrations. In the Philippines we know it as Undas. I've always had a fascination with death. I'm not uncomfortable talking about it — it's just part of life & sadly it's just been around me a lot. In fact, I had a few near-death encounters in my early 20s myself...

Everywhere I've lived as an adult, I've always had an altar in my house to honor the ancestors & invite the spirits for protection & good energy. This is not a practice I grew up with, as I was not raised religious or spiritual in any way, but something I learnt to practice on my own. The good part about not having religion or spirituality forced on me was, I had the freedom to explore different beliefs & study them on my own.

Day of the Dead is something I look forward to every year. And if you know me, you know I've produced a few programs centering the occasion myself.

If you're ever interested, one of my favorite photography books I own is Death on the Altar (La Muerte En Al Altar) by Tómas Casademunt. This beautiful photography series documents altars in homes all around Mexico. This book is no longer in print, but if you ever find an affordable copy, make sure to snag it! I would love to do something similar centering funeral altars in the Philippines someday.

These photos below were created with my Nikon ZF & Pocket Dispo lens.

For clarity, I was not paid for these photos. I went to this event & did photography for fun. If you want to hire me for event photography, please get in touch!

View from a computer for the full experience. Click a photo to enlarge.

Some of you know I love vintage public transportation. 🤓

Northeast Los Angeles Car Club

Live painting by @samanthafriedart (right).

Make sure to keep checking this space, follow me on Instagram, or subscribe to my YouTube channel for updates on my blog posts.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Mono No Aware: Stills from Japan (Part 4 of 4, Minato City & Sailor Moon Destinations)

10/24/2025

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If you are starting here, this is the last installment out of a 4-part series. I recommend you scroll down to part 1 & start viewing from the bottom up.

This last set of photos was from one of my last days I got to spend in Tokyo. I remember it was grey & gloomy, & I was still processing a lot of emotions from being in the Philippines for a month prior.

I knew it was likely going to be my last time there for a long time, maybe ever, so I wanted to make it something special & do something my inner-kid self would have loved.

When I was growing up in the 90s, I was obsessed with Sailor Moon as a kid. It was easily my fav Japanese cartoon, & I still have fond memories of rushing home to watch it afterschool on Toonami. Ahhh, those were the good old days... At a young age, I was already obsessed with the dreamy aesthetics & space-themed stuff. It's no wonder why as an adult, I love astrology so much now, haha!

I remember doing a search for Sailor Moon destinations in Tokyo, mostly expecting to find shops or something. Which, I would have been fine with, to buy some souvenirs. There was a Sailor Moon shop in Harajuku, but what I learned about was way cooler...

Here's a Google Map guide with some places I recommend in Minato City! Make sure to check out the notes I left in the locations. Not much on this map, but it at least gives you an idea for how I planned my day.

All blogs in this series can be found in the Mono No Aware tag. All photos were made using my Nikon ZF.

BEST VIEWED FROM A COMPUTER FOR THE FULL EXPERIENCE. CLICK ANY IMAGE BELOW TO ENLARGE.

AZABU HIKAWA SHRINE

The Azabu Hikawa Shrine is a destination many Sailor Moon fans visit. It influenced the home of Rei (Sailor Mars) in the anime, & the red used in Sailor Mars' uniform is a reference to the red structures in the property. I was lucky when I visited, I was the only one there! I thought maybe it would be filled with tourists for this reason.

ARISUGAWA-NO-MIYA MEMORIAL PARK

After the temples, I walked over to Arisugawa-no-miya Memorial Park, since it was walking distance. This park was one of the most beautiful urban parks I've ever visited. I didn't even feel like I was in the city anymore. I felt like I was transported somewhere else, it was unreal.

Before heading over to the temple, I'd actually ridden a bike over to Fruits and Season to get vegan fruit sandwiches one more time & enjoy them at the park. This park is special, because it's a backdrop for a location Usagi (Sailor Moon) & Mamoru (Tuxedo Mask) used to meet as well as have dates in the anime. It was so cute & I really felt like I was in the anime at some points.

And that's the end of my Japan blog series, until I can ever go back again someday... Recently I was feeling really down, because instability just does that sometimes. When I finally got the motivation to start sorting through and editing all the digital photography I made in Japan, it made me so happy to revisit. I started to think about how lucky I was to have been there, to actually live my life, ride a bike everywhere like I used to, & get to reconnect with long distance friends. I even got to do something I really wanted & I rented a Japanese micro apartment. I was really excited about it because I love watching videos about micro apartment living in Japan, to wind down before bed, haha!

I know there's a lot of negative things to say about a Filipina-American vacationing in Japan... I get it... TRUST ME, I GET IT.. Discourse is welcome, but I won't have anything to argue because I'm already aware. So judge away & assume what you want about me.

Anyways, the end. Thank you for checking out my digital photos from Japan! I'll get to the film when I get to it. 🥴

Make sure to keep checking this space, follow me on Instagram, or subscribe to my YouTube channel for updates on my blog posts.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Mono No Aware: Stills from Japan (Part 3 of 4: Kamakura Day Trip)

10/19/2025

Got to have a fun little day trip to Kamakura with my friend Ace who was living in Okinawa at the time. He had never been to Kamakura either!

We took the train to Hase Station. From there, there are small gardens to see on your way to the main attraction of Kamakura — the Kamakura Daibutsu located in Kōtoku-in.

On the way to Kōtoku-in, we stopped by the Kosoku-ji Temple for a quick stroll. There were sweet trails along gardens & a cemetery filled with mosquitos. We were covered in bites after.

From Kosoku-ji Temple we had a little coffee/tea break, then we came across a retro video game shop on our walk to the Daibutsu. Near the video game shop was a dango shop, so I had to get one of my fav Japanese treats while I was in Japan. Something about having fresh hot dango in a small coastal town in Japan just hit different...

After a little snack break, we finally made it to the Daibutsu at Kōtoku-in. Neither of us could believe how massive the bronze sculpture was in real life. It was def worth the hype. This was the one thing I really wanted to see the most in Japan this time & I'm glad we got to make the trip out to Kamakura to go see it!

After seeing the Daibutsu, me made the hike around Kamakura down to Kamakura Station to eventually end our day. We ended up at a tea shop where I got to try ochazuke for the first time! All around Kamakura Station is a small shopping district, so plenty of shops to visit around there as well.

If I'm remembering correctly, this was the route we took from Hase Station to the Daibutsu & then ending at Kamakura Station. It was a long walk, but we got to see a lot of Kamakura this way. Kamakura was such a charming & quaint small town by the ocean. The air & breeze felt so fresh, something my lungs haven't experienced for a long time! The combo of the ochazuke with the ocean breeze was both healing & cozy.

Here's a Google Map guide with some places I recommend in Kamakura! Make sure to check out the notes I left in the locations.

These were the few pics I got to take in Kamakura. As you read previously, I was getting burnt out on photography by this time of my trip. At this point, I really just wanted to spend time with my friend & take a break to just take it all in.

This is the 3rd installment of 4 parts. Keep following for the last part: Minato City. All blogs in this series can be found in the Mono No Aware tag. All photos were made using my Nikon ZF. Enjoy!

BEST VIEWED FROM A COMPUTER FOR THE FULL EXPERIENCE. CLICK ANY IMAGE BELOW TO ENLARGE!

Kosoku-ji Temple

Kōtoku-in Temple

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Mono No Aware: Stills from Japan (Part 2 of 4, Setagaya City)

10/18/2025

I borrowed another bike from one of Tokyo's ride share programs & rode over to Gōtokuji Temple (AKA Lucky Cat Temple) in Setagaya City. My general rule when traveling somewhere was, if it was faster to just ride a bike instead of taking the train, or if the bike ride was 30 mins or less, I would cycle over there instead.

I remember this was not a temple I was recommended or found through a travel guide. I was already planning to meet up with a friend in Shimokitazawa (also in Setagaya City), & this place randomly popped up on my map. I decided to cycle over before meeting up with my friend for lunch. I'd already been to Shimokitazawa the day before & there were some really sweet record shops, vintage shops & restaurants that were recommended to me that I didn't get to all check out because the business hours were funky! Decided to go back the following day to check these places out & to meet up with my friend as well.

Here's a Google Map guide with some places I recommend! Make sure to check out the notes I left in the locations.

Check out these photos I took at Gōtokuji Temple! Now that I am looking at these photos a year later, I am not sure why I decided to bring only one lens & why I chose one that wasn't so wide either, but oh well. I wasn't thinking clearly at the time. This is all I got! LOL

This is the 2nd installment of 4 parts. Keep following for the next 2 parts including: Day trip to Kamakura, then Minato City. All blogs in this series can be found in the Mono No Aware tag. All photos were made using my Nikon ZF. Enjoy!

BEST VIEWED FROM A COMPUTER FOR THE FULL EXPERIENCE. CLICK ANY IMAGE BELOW TO ENLARGE!

GŌTOKUJI TEMPLE

I never do B&W anymore, but some of these cemetery pics just had to be!

Transition into my vibrant world of color. :)

My fav composition in this set!

THE END

After the temple, I ended up meeting with my friend for lunch in Shimokitazawa. The bike hub I parked at had this cute window bay right across from it! I ended up revisiting it again later with my friend, because I'd lost one of my bike lights. We went back & retraced my steps, ended up not finding it en route, but did actually find it back at the same bike hub again!

The exact window bay location & bike hub in question.

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Walks in San Fernando, La Union (Part 6, photo workshop)

5/2/2025

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Tomorrow, 3 May, is the last day of my Balay da Judge artist residency with the Alfredo F. Tadiar Library in San Fernando, La Union. 🥲 This will be my last update on this project for a while. I am returning to the US next week, where I will prioritise processing the 35mm film I used to create the main part of this project. The digital photos published in this blog series are meant to serve as previews of the work-in-progress, not final works, but I hope you all enjoyed what you saw. I am hoping to get all film scanned & edited before the end of this year. It will be a priority!

These were a few photos I was able to create during the photo walk portion of my photo workshop, using the prompts from our photo scavenger hunt list. These were the very last photos I made with my Nikon ZF (and Pocket Dispo lens) on this trip.

View from a computer for the full experience. Click any image to enlarge.

Below is an event recap photo gallery provided by the library as well.

I am also very excited to soon share the workshop participants' photos they created during our photo walk! The submissions are rolling in & already they're all SO incredible! As an art educator, the proudest moment you can experience is seeing your students put your lessons to practice & witness them create. So please stay tuned for updates on that as well! The library & I will be collaborating to publish an online exhibition of the complete collection of photography, & hopefully a printed zine (still TBD).

Make sure to keep checking this space, follow me on Instagram or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Walks in San Fernando (Part 5, Ilocanos Norte)

5/2/2025

Hey all, this is the last week of my Balay da Judge artist residency, as it ends on May 3... This will be one of my last few updates on the work-in-progress I've created for this project, so I hope you enjoy.

While this is more of another side quest & not really related to the residency project, my mom & I paid a visit to Ma-Cho Temple in San Fernando. Ma-Cho Temple is located in the barangay of Ilocanos Norte, where my mom & dad had their first house together. My mom said the temple has been there for many years & it's a place she'd always wanted to go, but never did. She said back in the day supposedly it was never open to the public. Before I leave San Fernando, I wanted to visit this place together with her since she said she'd always wanted to see what it was like. After visiting, my mom also got to show me a bit of Ilocanos Norte.

All photos below are from my Nikon ZF using a Pocket Dispo lens.

View from a computer for the full experience. Click any image to enlarge.

Loved that all the parked cars happened to be red.

Ma-Cho temple was built in San Fernando, La Union in 1978 by Filipino-Chinese devotees. It is the first Taoist temple in the Philippines. Sat on top of a hill & overlooking the China Sea, this temple is located within the middle of the hustle & bustle of San Fernando city life. The temple is filled with gardens, pagodas, sculptures & an interior temple with the most intricate carved ceiling art I've ever seen. While I'm not a follower myself, my interest in culture extends to religion & spirituality, & I love visiting places like these. Last autumn, I recently came back from visiting an epic Taoist temple for the sea goddess Mazu in Taiwan. Naturally, stopping by this type of location would interest me. (I'll eventually share photos from that trip, but it's not a priority at the moment.)

After spending some time at the temple, we went around Ilocanos Norte to find the first house her & my dad lived in together as a couple.

Here, you can see the entrance to the small street leading up to my parents' old house. Since it's not an actual street, there is no street name, but it is off of Ortega Street.

We walked down the small corridor & came across someone staying near the house. The lady told my mom that the original owner (who owned the house when my mom & dad were renting from them) sold the house some time ago & the former owner's nephew is currently the caretaker for the house. My mom explained that she used to live there many years ago with my late dad. She told me she had not been back to that house since the 1970s, & that back in the day it was still dirt roads around there with not as many other houses around.

After we visited her & my dad's first house off of Ortega Street, we went to visit one more house of theirs', which is actually also located just within Tanqui, behind the church at the town plaza in San Fernando.

Located behind this house on Zamora Street, just up the alley on the right (which also has no name) is the last house my mom lived in before immigrating to the United States. She said it is also the house she was living in when she brought my brother home from the hospital. He was born in 1975 & she immigrated to the States in 1980. She lived in this house for about 5 years.

During the photo walk portion of my photography workshop this past weekend, we walked up this street to get to the capital grounds on top of the hill, where students would practice their photography skills & create photos using the prompts in their scavenger hunt list. I made sure to make a little pit stop by this house (just on the road, we didn't go through the alley), where I shared a bit of my family history & why this project is so personal to me.

I also forgot to update you all on which house my mom & dad formerly lived in on Zandueta Street, the street that crosses the library. Here is a photo again (which I already featured in part 2), as well as its placement on the map. You can see that Puón Books/Alfredo F. Tadiar Library is just at the end of the street.

I hate all the political tarps. LOL

On a final [side] note — I'd also like to point out that some of you may have noticed I added something new to this post, which are the interactive maps. Since a lot of my work really is a visual diary of place, I wanted to further help viewers visualise these locations by sharing maps of where they're actually at & what is surrounding them. This inclusion was inspired by the comic series Windmills: Bearings by Filipino komik artist, Josel Nicolas. I recently got to purchase this graphic novel at Puón & read it during breaks from my residency work. An autobiographical graphic novel, I was inspired by Josel's juxtapositions of his unique illustration style with photography & maps, to further give readers an understanding of place. Not only was this an art style I have not yet encountered in comics (although I can't say it's like I've read millions of them), his writing style was poetic, & his narratives on personal traumas & mortality were deeply heavy, yet oddly relatable. I also really appreciated his humor & very generational-specific references ranging from WWF (F, not E, because us millenials grew up during the WWF era still!), to music references like Oasis (my fav!) & Slade, to random illustrations of Gael Garcia Bernal for no real reason (maybe other than the fact that we grew up watching so many of his films in the early 2000s). Anyways, please consider this my modest book review & get your hands on this inspirational graphic novel if you don't already own it! But bear in mind (hehe), it does contain some very heavy topics.

I have one more post before I time out of my residency tomorrow, 3 May! Make sure to keep checking this space, follow me on Instagram or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Walks in San Fernando, La Union (Part 4, Pindangan Ruins)

4/18/2025

This visit was a bit of a side quest, since I can't really say for certain my parents spent any time at this destination. Earlier this week, my studio assistant & I went on a little excursion to Pindangan Ruins. This is somewhere I'd always seen nearby in my Google Maps, but kept forgetting about it. My studio assistant & I recently went to a pasalubong (souvenir) shop at the San Fernando town plaza that gives out free travel guide booklets. I was reminded again of this destination when I was reading through this helpful travel guide!

According to La Union Tayo!, Pindangan was the original name of the City of San Fernando. Pindangan is derived from the Ilokano word pindang, a method of sun-drying & salt preserving meat, referring to San Fernando as a destination heavy in this type of delicacy. Due to its close proximity to the sea, the original church was at constant risk of attacks from foreign invaders (ironic, since I would consider the Spanish foreign invaders themselves). Originally built by Spanish priests in 1764, the church was eventually moved to the town plaza after a couple of other previous relocations, & it is now known as the Cathedral Parish of Saint William the Hermit. However, the ruin site has a Carmelite monastery, which does have its own small church.

While this visit isn't directly related to my family's history, it's still part of my study on contemporary San Fernando & integral to its timeline. Being an Ilokana in the Californian diaspora, I'm particularly interested in the parallels between Filipinos & California Natives. We share the same colonisers — both Spain & the so-called United States — & remnants of the Spanish colonial era still exist in both places.

As some of you already know, I did a recent photo documentary series on the celebration of the Santo Niño in contemporary Philippines & the diaspora for my project Venerating an Icon, as part of my recent residency at the Minnesota Street Projects in San Francisco. This project is still in-progress, but I'm aiming to tie up loose ends before the end of this year! The project examined a centuries old Spanish icon that is still glorified throughout the islands & diaspora, & I was especially interested in its context within California, another former colony of Spain when it was part of what was known as New Spain.

Without further adue, here are some photos from our outing to the Pindangan Ruins. All photos below are from my Nikon ZF using a Pocket Dispo lens.

View from a computer for the full experience. Click any image to enlarge.

My studio assistant getting some practice with composition. :')

My fav easter egg I got to encounter during this visit was finding the kusikus pattern on the door frame of this small chapel (I'm assuming that's what the structure was). The kusikus is very Ilokano-specific & refers to whirlwind patterns found on abel ules, or woven inabel blankets. The kusikus comes in many variations, but this is probably the most popular version of it. Woven on blankets slept with at night, the pattern is intended to confuse & scare off bad spirits.

Make sure to enlarge the images to check out that kusikus doorframe! Unfortunately, that was as close as I could get, as the property was fenced off & not accessible.

Some misc bougainvillea compositions. I love the dual juxtapositions of organic & colorful with grey distressed manmade structure. I also recently found out that bougainvillea is the official provincial flower of La Union. I learnt this through the travel guide booklet I picked up at the pasalubong shop, haha.

Being that it is Semana Santa here in the Philippines, you will usually find images of Jesus & crucifixes covered in purple veils. Starting during the Passiontide, or the last two weeks of Lent, they cover Jesus to observe the last days of his life up until his resurrection on Easter, when he is then unveiled. In the Philippines, his unveiling is considered a way of celebrating his resurrection & Easter. The veil is purple to represent royalty, reminding believers that "Christ is King".

Just a friendly reminder that I don't believe in any of this shit, LOL. I just find it interesting, so don't come at me!

More blog posts on the work I've been producing during my residency will be published in the coming weeks! Make sure to keep checking this space, follow me on Instagram or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Walks in San Fernando, La Union (Part 3, Lingsat)

4/18/2025

Earlier this week I went for a short sunset walk in the barangay of Lingsat in San Fernando, La Union. Like I'd previously mentioned, since it's been so hot, I've been trying to plan my photo outings around other errands I have to run, so that I can do photography closer to sunset, when it's less hot & the lighting is immaculate.

It's not technically an errand, more of a luxury, but there's a nail salon I started going to in Lingsat to get my nails done. I've been working on this project so much, I also need breaks & moments to treat myself! We all do. So I headed over to get my nails done first, then walked to a specific street to do some photography.

Part of my mom's family history took place in Lingsat, specifically Hufano St. This is the street my older brother grew up on with our cousins early in his childhood, when our mother first immigrated to the US. He would then immigrate 5 years after her.

My tita Rebing & manong Ronald both passed away nearly 2 years ago, one after the other... I didn't grow up here, but I also spent a lot of time here, both in childhood & as an adult. I decided to revisit so I could document what's left of this place to me.

All photos below are from my Nikon ZF using a Pocket Dispo lens.

View from a computer for the full experience. Click any image to enlarge.

Walking down Hufano St felt warm & familiar, until I arrived at my tita's house & it was nearly unrecognisable. I only recognised the property because I remembered it was a corner lot & I remembered what the gate looked like. I was sad to see the small dwellings behind the main house were gone — the lot is now empty. And I know it doesn't make sense to keep since she passed away, but I was also so disappointed to see her sari-sari store gone. I spent so many slow morning's at this store, having breakfast, & hanging out with my nieces & nephews.

To end my exploration, I decided to walk to the beach to observe the sunset. Upon arrival, I felt a wave of sadness suddenly overwhelm me. I remembered days walking the dogs to the beach (the dogs I took care of & loved so very much) with my nieces & nephews, as well as spending parts of my childhood at this beach. I never got to properly say goodbye to my aunt or cousin, & this felt like it was it.

My aunties treated us like their own children. They were like second mothers to us. And my cousins Ronald & his brother were easily my fav cousins. I know we shouldn't say things like that, but they treated me like a little sister. Protective, but respectful & non-judgmental (unlike some other cousins of mine).

Being the loner I've always been, family gatherings & funerals aren't really my thing. This was exactly the solitary & cathartic goodbye I needed for myself. My only regret was not bringing an offering to the ocean.

More blog posts on the work I've been producing during my residency will be published in the coming weeks! Make sure to keep checking this space, follow me on Instagram, or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Walks in San Fernando, La Union (Part 2)

4/13/2025

Here's some photos from my explorations around San Fernando on foot. These photos took place in the barangays of Catbangen & Tanqui. Not only are these barangays where the Balay da Judge artist residency & Alfredo F. Tadiar library are, they are also former barangays my parents used to live in & spend time in together.

Since it's been so hot, I've been trying to plan my outings & errands later in the day, so I can go for a walk & explore after. Here's some interesting compositions & textures I saw during my walks, both early morning & late afternoon. I found that already by 9AM here, the lighting can be quite harsh. For temperature & lighting's sake, 4-6PM has been the sweet spot.

All photos below are from my Nikon ZF using a Pocket Dispo lens.

View from a computer for the full experience. Click any image to enlarge.

Around the Plaza & Tanqui

My parents once lived on Zandueta St. This street crosses the library.

Harsh lighting, but interesting shadows!

My mom said her & my dad once lived in a green house on Zandueta St, near the library. But we only saw one all-green house that looked way too massive for just a couple?! We saw some houses with green breeze block exteriors, but only one house that was actually all-green. Will confirm what exact house in the coming days, but either way, I love breeze blocks & I hate the mint green color, but I'm reminded of Tropikaye's study on #TKColorCooling. Check out the community index on their Instagram or Facebook pages. Despite my dislike for the color itself, this Philippine-specific visual phenomena still fascinates me.

La Union Provincial Capital

Fun fact: Did you know San Fernando is the capital city of La Union?

I haven't been up to the capital grounds since 2018, when my older cousin first took me up here. Every time I come back home & he & his kids are not here, it's not the same. But I'll always be reminded of him fondly whenever I visit the kapitolyo or explore around San Fernando.

Upon arrival, my studio assistant & I were pleasantly surprised to see that there was a lovely installation of artificial tulips for the spring season! I bet this looks stunning in the evening time. This is a location we will be visiting for my upcoming photo walk workshop, & we will be heading over around the golden hour. Hopefully it will be lit up so we can experience some magic together!

They also still had Christmas decorations up, but it was still cute. 😅

Later Day Explorations

Not sure the exact cause, but last week I experienced one of the worst migraines I've ever had. I was laying in my darkened room with the blinds shut. Any light & sound was making my head pound, & it hurt to look at anything. I tried taking an hour nap & woke up feeling worse! Took a cold shower that didn't help either. I took some meds & knocked out for another 5 hours, & that ended up doing the trick. It could have been caused by a combo of lack of sleep (which is not uncommon for me, sadly), heat exhaustion & maybe even dehydration. After a busy week & that migraine spell, Friday came along & I felt entitled to treating myself to a spa day, hehe.

I took a tricycle to the spa, then took one back & got off at the town plaza so I could head back to the residence in Catbangen on foot. During my walk around Catbangen, I decided to take some side streets to find a local mini mart. It was closed, but I randomly happened to come across my mom's former high school. I often enjoy taking side streets because they're quieter & sometimes you just find things you wouldn't expect to see, whether they're locations or just cool compositions.

Saw this sick tricycle sidecar with flames painted on it. Along with the epic sunset lighting, it's giving Philippine Flavortown aesthetic. 🔥

I love the juxtaposition of nature with rusty textures & colors. When you think of it, rust is just a chemical reaction that happens naturally when steel or iron corrode from the meeting of oxygen & water.

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Walks in San Fernando, La Union (Part 1, Semana Santa)

4/13/2025

Semana Santa (Holy Week) in the Philippines is a religious season I've always wanted to experience. It is every goth girl's dream, hahaha (just kidding). All jokes aside, it's considered a big deal in the Philippines due to the country's large Catholic demographic.

Not only is it very significant here, Semana Santa in the Philippines is particularly known for the senakulo, a gory reenactment of the passion play & death of Jesus. Senakulo comes from the Spanish word cenáculo, which is Spanish for the Cenacle — the Upper Room in Jerusalem where Jesus held the Last Supper. I'm not sure if our province reenacts such a gruesome senakulo performance, but I am both looking forward to finding out & also kind of scared. 😅 I've only ever seen fake gore on TV, not real gore in real life.

Kicking off Semana Santa, I went to the local church at the town plaza in San Fernando, less than a 15 minute walk from my studio at the Balay da Judge, to attend an Ilokano mass for Palm Sunday. I knew the streets would be filled with palaspas, or woven palms. Signifying the start of Semana Santa, Filipinos carry their palaspas in hand to observe Jesus' entry into Jerusalem, where he was greeted with folks waving palms at him.

While palaspas has its religious connotations, let's also acknowledge the art of palm weaving as a pre-colonial Indigenous practice. Aside from religious purposes, palm weaving is also used to make vessels to cook rice, baskets, fiesta goods & more. This moment feels full circle for me, since before I came back to the Philippines, I produced a palm weaving workshop for Mata Art Gallery in partnership with Artronika, led by teaching artist Diyan Bukobomba. Check out a recap here!

All photos below were created with my Nikon ZF using a Pocket Dispo lens.

View from a computer for the full experience. Click any image to enlarge.

More blog posts on the work I've been producing during my residency will be coming up this week! Make sure to keep checking this space, or follow me on Instagram for updates. All updates on my residency will be tagged under Balay da Judge.

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Balay da Judge Artist-in-Residence

4/10/2025

I'm so excited to finally share that I am Alfredo F. Tadiar Library's second Balay da Judge artist-in-residence! While I've spent my first month in the Philippines exploring new places & reconnecting with friends & family, I'm spending my second month on this trip living & working at the Balay da Judge as part of my residency with the library. This residency is notably special to me, because it takes place in La Union, my family's home-province, where we have lived & thrived for generations.

For this residency, I am continuing my ongoing photo documentary project, Somnia Memorias (2018-present), which now consists of 3 different parts (part 3 is still currently in-progres), with the 4th part underway as part of my residency.

The 4th part of the series focuses on San Fernando, the capital city of La Union. While my family is originally from San Juan, the neighboring municipality, much of my family has spent time in San Fernando, including my parents. San Fernando is particularly significant to me, because it is the place my parents first lived together as a couple & fell in love. Coincidentally, one of the houses my parents lived in together is on the street that crosses the library.

For this project, my goal is to visit & document the barangays my parents used to live & spend time in together in San Fernando. Some of these barangays include Tanqui (where the library & bookshop is located), Catbangen (where the balay is), Ilocanos Norte & Lingsat.

This project also attempts to trace back & log part of my family's history. One thing I wish I did more of before my father passed away was ask him more about himself, his family, who they were, where they're from, etc. It took me years to process this & name what it actually was: regret. When my dad passed, another father-less friend reminded me that all I have left is my mother, & to make the effort to talk & ask questions before it's too late.

The start of this project has been interviewing my mother, asking about each immediate family member she knew of. Parents, siblings, half-siblings, etc. She only knew one grandparent, but barely knew him. I'm particularly drawn to finding out who he was.

Aside from asking her about her immediate family, she's really the last connection I have left to my dad, or at least the last person who knew him the best. Of course I have my siblings, but none of us knew our dad the same way my mom did. By visiting the local places they once spent time in together, I'm hoping to also preserve a piece of contemporary La Union, with a special concentration on San Fernando.

In addition to the photo documentary work, I'm also hosting a 2-day photo workshop, where I'll be teaching the basics of photography on day 1, & leading a photo scavenger hunt around the city on day 2! We will announce dates & times soon.

Keep an eye out in this space for some digital previews of the work I'll be creating, before I officially process the film in a few months! Thank you to all of you who helped me get here, & thank you to the Artist Resistance Through Solidarity (ARTS) Foundation for partially funding my residency project as well!

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Mindanao Part 2 of 2: Bukidnon & Kaamulan

4/10/2025

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Kaamulan Fest

Aside from reconnecting with friends & exploring the island, Kaamulan is the main reason why I wanted to come to Mindanao this time! I was really hoping to experience the grand entry & hopefully see some performances or Native games, but we weren't able to this time. Hopefully next time if I'm ever able to visit again! Nonetheless, it was great to connect, experience the art, view how different their art styles are, but also draw connections as well. While the cultures of the Northern & Southern Philippines can greatly vary, I hope people can also realise the similarities we share with our relatives in the south.

The Kaamulan Festival is a large month-long cultural gathering of the ethnic tribes of the Bukidnon province in Mindanao. Held in the provincial capital of Malaybalay, it is a special time for the seven tribes to unite. I was told the festival has been going on for a little over 50 years, but some believe it may have been celebrated even farther back.

Although I didn't get to experience any music or performances this time, I got to leave the festival dripping in brass jewellery — something I was hoping to leave with. Throughout the Northern & Southern Philippines, brass is used to make musical instruments & accessories. Brass instruments are played for an array of uses such as communication, ceremony, or celebration. As accessories, brass is worn to ward off bad energies & spirits.

All photos below are from my Nikon ZF using a Pocket Dispo lens. The women portrayed below consented to me photographing them.

View photos from a computer for the full experience. Click any image below to enlarge.

Abbey of Transfiguration

We had the unique opportunity to stay at an accommodation in Malaybalay that was near the Abbey of Transfiguration. Nestled among acres of banana & cacao trees, the abbey is a Catholic monastery that has a pyramid-shaped church, as well as a coffee plantation that is farmed, harvested, & roasted by the monks that live in the monastery. Make sure to grab a bag of their Monk's Blend coffee beans at their gift shop! If you are interested in going inside the church, please note that they do have a dress code, just like the Vatican in Rome & now the Basilica de Santo Niño in Cebu.

And that concludes my 9-day trip to Mindanao. 9 days was not enough, but I'm so happy & grateful I got to experience it at least once. I hope this is not the last time I will be in Mindanao. I just know there's still so much to see & experience here. And while I know these don't seem like a lot of photos, I was honestly just trying to be there & be immersed in it all.

Eternally grateful to my friend's Nikki & RM for taking the time to show me around Mindanao, & also dealing with some of the unnecessary qualms I came with. 😅 Thank you for everything! Please check out their newest project that is currently underway, Balay Kasamtangan. If you have the means to, please redistribute your wealth & support their one of a kind project!

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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Mindanao Part 1 of 2: Bai Ming's World & Iligan

4/9/2025

First, & hopefully not last, trip to the island of Mindanao in the Philippines! Despite several generalisations about Mindanao, I've never been influenced by these misconceptions, & it has always been a place I've wanted to visit. I've always been enamored by their gorgeous art aesthetics, music, culture, & admire them for their colonial resistance. So glad I finally got to visit, esp with the guidance of brilliant creatives & friends, but I hope I'm able to make it back again to further explore the island & culture!

Iligan City in the northern Mindanaon province of Lanao Del Norte was the first stop on our 9-day visit. The main languages spoken here are Bisaya, Tagalog, & English is also commonly spoken throughout the islands.

Lanao del Norte & the region surrounding Lake Lanao is the ancestral land of the Maranao, a predominantly Muslim ethnic group in Mindanao. They are one of the largest Islamic groups in the so-called Philippines.

Below are photos of Bai Ming, a Maranao matriarch, who invited me to peek into her world. Her & her family import or create all the goods sold in her shop, Ming's Collection. She consented to me photographing her, & in return I'd love to share about her business! You can find them here on Facebook (if you've got an account), or look them up on Google Maps.

All photos below are from my Nikon ZF. Also first time using my Pocket Dispo lens, gifted to me by my friend & photography collague, Noah B! The lens is great & love the softer texture it creates, but it's def not for everything. It was fun to take it out on a spin for the first time on this trip tho, & hopefully I can find some good use out of it again in the future.

My film photos from this trip will probably come later this year!

View photos from a computer for the full experience. Click any image below to enlarge.

MISC ILIGAN...

Here's some more photos exploring Iligan City! Starting with the amazing view from Fat Pauly's. The photo of the lighthouse almost looks like a postcard images & the swirl of the clouds during sunset were unbelievable.

Paseo de Santiago

If you're into Spanish historic destinations, check out Paseo de Santiago. This park is a paid tourist attraction along the ocean, & is named after Spanish "explorer", Santiago de la Cruz, who is credited for "discovering" the Iligan Bay in the 16th Century. While this is considered a historic destination, I've read that the park itself is a newer tourist attraction. Aside from the park & lush scenery, they also have food vendors, occasionally host events & offer rentals. This park has paid admission & honors senior discounts.

"LAPU LAPU — He is the first famous person written in our history that bravely and gallantly defended our land and our race against foreign invaders on April 2, 1521 known as the "Battle of Mactan" that resulted to the death of Ferdinand Magellan and the defeat of his Spanish and Portuguese forces."

Tambo Public Market

My mother came with me on this trip to Mindanao this time. I can't stress enough how I'm at the point now where I'm starting to feel like the parent, haha! Anyways, before our trip, she said she hadn't been to Mindanao since the 1970's. And she mentioned one thing she really wanted to bring back to La Union was dried fish, claiming that is a really nice cuisine they have there. My friend was kind enough to bring us to Tambo Public Market, where she was able to buy dried pusit (squid), & other fish. These are typically fried & served with garlic rice, eggs & some sort of veggie side dish for breakfast. 🦑

I'm sure some of you can tell that these interior photos in the market are dark inside. I had to use quite a high ISO. Once bringing them into Lightroom, they were very noisy. I do not recommend Lightroom's AI noise removal tool, as it makes the photos look way too fake. Instead, use the option to manually reduce the noise. They won't be perfect & noise-free, but the tool does help, in moderation.

Beadwork Workshop at Espasyo Creative HUb

Got to peel off for a day to take an introductory beadwork workshop at Espasyo Creative Hub. Not only do they occasionally host creative workshops, they also have a restaurant & a storefront where they sell local handmade goods, crafts, art & even some sweet treats hehe.

As you can see, the Pocket Dispo lens is not great for close-ups. So that's something to keep in mind when using this lens. It is a lot like a disposable camera in this way! For those of us who are old enough to remember using disposable cameras in our youth... haha!

Jeepneys of Iligan

Some of you know I'm a public transportation nerd & love riding/exploring on foot/public transit anywhere I go. It was nice to get a break from riding Grab (the Philippines' rideshare service in major cities) & driving, & actually getting to ride around in one of their jeeps!

I've only visited 3 Philippine islands so far & have noticed a difference in their jeeps & public transit. The last island I visited last year was Cebu, & I noticed their jeeps were mostly the Japanese models, & tricycles were also bawal (forbidden). In addition to the jeeps in La Union (on the island of Luzon), you see tricycles everywhere & it's actually my favorite way to get around (when not driving — we also don't have Grab in La Union). And in Luzon, our jeeps are mostly Mercedes or BMW (what I like to call the n*zi models, LOL). However, in Mindanao, I noticed their jeepneys were a mix of n*zi models & also the Japanese models (I mostly saw Isuzu & Mitsubishi, & probably others). Here's a few jeeps in motion while getting to ride in one! They also didn't have tricycles, but they had Bajaj 3-wheelers which are typically ridden for shorter distances. Didn't get any photos of any, but you can look them up here, if you're curious.

Butterflies

These photos are all out of sequence, but I wanted to share this image last. After exploring Iligan with friends for the day, they brought me to a malongan, a shop that sells malongs. For a long time, I've been drawn to butterflies, & I immediately spotted a malong with a butterfly pattern. My friend & I both agreed we'd never seen a malong with butterflies on it. Of course I had to get it. After some shopping, we stepped out to end up at the Tubod River (I think this is the one).

Upon stepping out to the river, we noticed a black butterfly landed on my arm & flew away. When my dad passed away years ago, I remember a black butterfly staying on the ceiling above his casket for days during the week-long wake. Not sure exactly who was communicating with me this time, but could feel this was a messenger from the spirit world making sure we were protected on this trip.

Part 2 of my Mindanao trip is forthcoming, followed by a special announcement on why I'm in the Philippines again for TWO months!

If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.

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CollaboratiON with Vanessa Briones

2/21/2025