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I'd just arrived in Taiwan at this point. It's always been my dream to meet some capybaras. My friend helped make that dream come true & took me to go meet some, hehe. They were very cute & sweet, & their fur is very coarse. I even got to meet some babybaras. 🥲 If you ever find yourself in Yilan County, Taiwan, make sure to visit Bambi Land if you ever wanna meet some! Images were photographed using my Nikon ZF & 24-70mm lens. Click on an image below to enlarge. I recommend viewing from a computer for the full experience. This will be my last photo essay of the year, broken up into three parts. Taiwan Travel: Art, Ritual & the Everyday is a series of photographs from my trip to Taiwan at the end of 2024. It’s taken me a while to get through these photos, as I’ve prioritised other projects, rest, & my well-being. However, after recently reviewing the photos for the first time since then, I’m so glad I got to them when I did. I’m in love with how they came out, & they brought back some wonderful memories of bonding & spending time with friends in Taiwan, whom I hadn’t seen since my last visit back in 2018. This first part won’t be as image-heavy. If you’ve been keeping up with this space, you might already know that prior to going to Taiwan, I was traveling in the Philippines & Japan. After a month of doing photography in the Philippines, & overall dealing with some heavy emotions after having not visited the motherland since burying my dad in 2019, I was burnt out on photography. I didn’t take as many photos as I could have in Japan, & my will to shoot became even weaker once I arrived in Taiwan. Regardless, it was lovely to reconnect with good friends I hadn’t seen in years. I’m eternally grateful to my friends, Animus & Angela, for spending time with me, & for their hospitality, generosity, & deep compassion. Every day was spent immersing ourselves in food, art, local culture, nature, or even the metaphysical. This time it wasn’t so much about experiencing tourism as it was about reconnecting & simply being together. Some of the best nights we spent were just drinking home-roasted coffee or local tea, reading tarot cards, playing Uno or Switch, & watching Taiwanese films. I also had some of the best vegan food of my life on this trip & even got to experience my first typhoon!😅 Overall, losing my job in September 2024 was one of the best things to ever happen to me. Although I’ve been navigating precarity in these last few months as the economy & job market have absolutely tanked, 2025 has been one of the best years of my life, & it’s due to not having to work, as sad as that may sound. I wish we could all experience this at some point in our lives. This year is the most productive I’ve ever been, & I’m so thankful for the opportunity to actually focus on my art practice & self-study. While I’ve been struggling to find stability, & sometimes struggling with my choices (navigating regret, wondering if I made the right decisions or not), I decided to be brave, take a risk, & focus on my self-growth above anything else. I’m also thankful to have had my last job, because the salary paid well enough that I was able to save, still live off that money, & be okay right now. Even though things have been uncertain, I have many things to be grateful for, & I'm looking forward to what is meant for me next. Misc unedited photos from my phone: Click on an image below to enlarge & for a lil' caption description about each one! I'll include a Google Map roundup with notes on each location in my last post in this series, but here are some of the places featured below:
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If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
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Hey all, this is the last week of my Balay da Judge artist residency, as it ends on May 3... This will be one of my last few updates on the work-in-progress I've created for this project, so I hope you enjoy.
While this is more of another side quest & not really related to the residency project, my mom & I paid a visit to Ma-Cho Temple in San Fernando. Ma-Cho Temple is located in the barangay of Ilocanos Norte, where my mom & dad had their first house together. My mom said the temple has been there for many years & it's a place she'd always wanted to go, but never did. She said back in the day supposedly it was never open to the public. Before I leave San Fernando, I wanted to visit this place together with her since she said she'd always wanted to see what it was like. After visiting, my mom also got to show me a bit of Ilocanos Norte. All photos below are from my Nikon ZF using a Pocket Dispo lens. View from a computer for the full experience. Click any image to enlarge.
Ma-Cho temple was built in San Fernando, La Union in 1978 by Filipino-Chinese devotees. It is the first Taoist temple in the Philippines. Sat on top of a hill & overlooking the China Sea, this temple is located within the middle of the hustle & bustle of San Fernando city life. The temple is filled with gardens, pagodas, sculptures & an interior temple with the most intricate carved ceiling art I've ever seen. While I'm not a follower myself, my interest in culture extends to religion & spirituality, & I love visiting places like these. Last autumn, I recently came back from visiting an epic Taoist temple for the sea goddess Mazu in Taiwan. Naturally, stopping by this type of location would interest me. (I'll eventually share photos from that trip, but it's not a priority at the moment.)
After spending some time at the temple, we went around Ilocanos Norte to find the first house her & my dad lived in together as a couple.
Here, you can see the entrance to the small street leading up to my parents' old house. Since it's not an actual street, there is no street name, but it is off of Ortega Street.
We walked down the small corridor & came across someone staying near the house. The lady told my mom that the original owner (who owned the house when my mom & dad were renting from them) sold the house some time ago & the former owner's nephew is currently the caretaker for the house. My mom explained that she used to live there many years ago with my late dad. She told me she had not been back to that house since the 1970s, & that back in the day it was still dirt roads around there with not as many other houses around.
After we visited her & my dad's first house off of Ortega Street, we went to visit one more house of theirs', which is actually also located just within Tanqui, behind the church at the town plaza in San Fernando.
Located behind this house on Zamora Street, just up the alley on the right (which also has no name) is the last house my mom lived in before immigrating to the United States. She said it is also the house she was living in when she brought my brother home from the hospital. He was born in 1975 & she immigrated to the States in 1980. She lived in this house for about 5 years.
During the photo walk portion of my photography workshop this past weekend, we walked up this street to get to the capital grounds on top of the hill, where students would practice their photography skills & create photos using the prompts in their scavenger hunt list. I made sure to make a little pit stop by this house (just on the road, we didn't go through the alley), where I shared a bit of my family history & why this project is so personal to me.
I also forgot to update you all on which house my mom & dad formerly lived in on Zandueta Street, the street that crosses the library. Here is a photo again (which I already featured in part 2), as well as its placement on the map. You can see that Puón Books/Alfredo F. Tadiar Library is just at the end of the street.
On a final [side] note — I'd also like to point out that some of you may have noticed I added something new to this post, which are the interactive maps. Since a lot of my work really is a visual diary of place, I wanted to further help viewers visualise these locations by sharing maps of where they're actually at & what is surrounding them. This inclusion was inspired by the comic series Windmills: Bearings by Filipino komik artist, Josel Nicolas. I recently got to purchase this graphic novel at Puón & read it during breaks from my residency work. An autobiographical graphic novel, I was inspired by Josel's juxtapositions of his unique illustration style with photography & maps, to further give readers an understanding of place. Not only was this an art style I have not yet encountered in comics (although I can't say it's like I've read millions of them), his writing style was poetic, & his narratives on personal traumas & mortality were deeply heavy, yet oddly relatable. I also really appreciated his humor & very generational-specific references ranging from WWF (F, not E, because us millenials grew up during the WWF era still!), to music references like Oasis (my fav!) & Slade, to random illustrations of Gael Garcia Bernal for no real reason (maybe other than the fact that we grew up watching so many of his films in the early 2000s). Anyways, please consider this my modest book review & get your hands on this inspirational graphic novel if you don't already own it! But bear in mind (hehe), it does contain some very heavy topics.
I have one more post before I time out of my residency tomorrow, 3 May! Make sure to keep checking this space, follow me on Instagram or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. Happy Lunar New Year from so-called San Francisco, CA! I've been in SF for a little over two weeks now, participating in an artist-in-residence program I was invited to nearly a year ago. This was something I was looking forward to all of last year & I've been having an amazing time so far. In just these past two weeks, I've got to connect with so many incredibly talented artists & arts professionals, experience so much art & culture, eat phenomenal food, & go on some scenic bike rides through parks & along the Bay. It's been an absolute dream. I hesitated to share about this sooner since many of you know I mostly work in silence & don't post a lot online. Especially within these last 1-1.5 years with the genocide & ongoing occupation of Palestine, then with the massive wildfires back in my hometown of Los Angeles erupting across the city right as I left for my residency, I've struggled with sharing because it hasn't felt good to me. However, in the next couple weeks as I start to wrap up my month-long residency, I'll be sharing more about what I've been making here in SF, as well as some more exciting news for my artistic "career". 2025 is year of the wood snake. The snake symbolises good luck & rebirth. Many of us in LA have had a rough start to 2025, & so many in Palestine have lost so much over nearly a century. I can't even begin to imagine what some are going through. But, while fire may be associated with destruction, it also comes with rebirth & regrowth. As we spend at least the next decade (or more) rebuilding, I hope 2025 is the year we all begin to rethink our relationship to the earth & each other, & the changes we need to make to ensure we see the land & our communities thrive for many more years. Feel free to let me know in the comments what your hopes are for year of the wood snake. 🪵🐍 Anyways! Here's some pics from this last Sunday at the SF Chinatown Flower Market Fair, as well as a visit to Edge on the Square to see their current exhibition (please note they're not normally open on Sundays). All photos are from my Nikon ZF with 40mm lens. Please view from a computer for the full experience & you can click on any image below to enlarge. WALKING STORIES AT EDGE ON THE SQUAREEdge on the Square is a space I wanted to check out the previous Sunday as my little cousin & I walked around Chinatown after having lunch. As the window display caught my eye, I was bummed they were closed! Thanks to their newsletter, I found out about the Chinatown flower fair & I was very happy to see they were also open. Their current exhibition, Walking Stories, is not one to miss. It is an interactive exhibition that shares the narratives of several Asian/-American artists. Check it out while it's still up & make sure to grab yourself some free zines & print media made by the artists. The exterior window display (pictured on the left) particularly caught my eye, since it seemed very Killjoy-esque. Not her work, but a great piece nonetheless. However, I have to say the installation on reparations (pictured on the right) was my fav of all the works. Definitely grab yourself a mini-zine from the artist as well. MISC UPDATES:
Lastly, I'd like to share, like many people, I am further reducing my activity on social media. Social media is not something I've enjoyed for many years now. Just like I got off of Facebook & Tumblr, I might exit Instagram as well, but not sure yet. I will continue updating this blog & my new calendar page. I also recently started rolling out more of my video "content" on my YouTube channel — please subscribe! It's mostly just for fun, hehe. In the mean time, the best thing for you to do is sign up for my newsletter at the form below, to receive my updates in your inbox. Thanks for reading. I welcome any questions or dialogue in the comments. 🖤 |
NICA AQUINOIn this space I'll share digital previews of my film photography, updates on new artworks in progress, upcoming programs, inspiration & my other misc interests. Archives
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