Tomorrow, 3 May, is the last day of my Balay da Judge artist residency with the Alfredo F. Tadiar Library in San Fernando, La Union. 🥲 This will be my last update on this project for a while. I am returning to the US next week, where I will prioritise processing the 35mm film I used to create the main part of this project. The digital photos published in this blog series are meant to serve as previews of the work-in-progress, not final works, but I hope you all enjoyed what you saw. I am hoping to get all film scanned & edited before the end of this year. It will be a priority! These were a few photos I was able to create during the photo walk portion of my photo workshop, using the prompts from our photo scavenger hunt list. These were the very last photos I made with my Nikon ZF (and Pocket Dispo lens) on this trip. View from a computer for the full experience. Click any image to enlarge. Below is an event recap photo gallery provided by the library as well. I am also very excited to soon share the workshop participants' photos they created during our photo walk! The submissions are rolling in & already they're all SO incredible! As an art educator, the proudest moment you can experience is seeing your students put your lessons to practice & witness them create. So please stay tuned for updates on that as well! The library & I will be collaborating to publish an online exhibition of the complete collection of photography, & hopefully a printed zine (still TBD).
Make sure to keep checking this space, follow me on Instagram or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
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Hey all, this is the last week of my Balay da Judge artist residency, as it ends on May 3... This will be one of my last few updates on the work-in-progress I've created for this project, so I hope you enjoy.
While this is more of another side quest & not really related to the residency project, my mom & I paid a visit to Ma-Cho Temple in San Fernando. Ma-Cho Temple is located in the barangay of Ilocanos Norte, where my mom & dad had their first house together. My mom said the temple has been there for many years & it's a place she'd always wanted to go, but never did. She said back in the day supposedly it was never open to the public. Before I leave San Fernando, I wanted to visit this place together with her since she said she'd always wanted to see what it was like. After visiting, my mom also got to show me a bit of Ilocanos Norte. All photos below are from my Nikon ZF using a Pocket Dispo lens. View from a computer for the full experience. Click any image to enlarge.
Ma-Cho temple was built in San Fernando, La Union in 1978 by Filipino-Chinese devotees. It is the first Taoist temple in the Philippines. Sat on top of a hill & overlooking the China Sea, this temple is located within the middle of the hustle & bustle of San Fernando city life. The temple is filled with gardens, pagodas, sculptures & an interior temple with the most intricate carved ceiling art I've ever seen. While I'm not a follower myself, my interest in culture extends to religion & spirituality, & I love visiting places like these. Last autumn, I recently came back from visiting an epic Taoist temple for the sea goddess Mazu in Taiwan. Naturally, stopping by this type of location would interest me. (I'll eventually share photos from that trip, but it's not a priority at the moment.)
After spending some time at the temple, we went around Ilocanos Norte to find the first house her & my dad lived in together as a couple.
Here, you can see the entrance to the small street leading up to my parents' old house. Since it's not an actual street, there is no street name, but it is off of Ortega Street.
We walked down the small corridor & came across someone staying near the house. The lady told my mom that the original owner (who owned the house when my mom & dad were renting from them) sold the house some time ago & the former owner's nephew is currently the caretaker for the house. My mom explained that she used to live there many years ago with my late dad. She told me she had not been back to that house since the 1970s, & that back in the day it was still dirt roads around there with not as many other houses around.
After we visited her & my dad's first house off of Ortega Street, we went to visit one more house of theirs', which is actually also located just within Tanqui, behind the church at the town plaza in San Fernando.
Located behind this house on Zamora Street, just up the alley on the right (which also has no name) is the last house my mom lived in before immigrating to the United States. She said it is also the house she was living in when she brought my brother home from the hospital. He was born in 1975 & she immigrated to the States in 1980. She lived in this house for about 5 years.
During the photo walk portion of my photography workshop this past weekend, we walked up this street to get to the capital grounds on top of the hill, where students would practice their photography skills & create photos using the prompts in their scavenger hunt list. I made sure to make a little pit stop by this house (just on the road, we didn't go through the alley), where I shared a bit of my family history & why this project is so personal to me.
I also forgot to update you all on which house my mom & dad formerly lived in on Zandueta Street, the street that crosses the library. Here is a photo again (which I already featured in part 2), as well as its placement on the map. You can see that Puón Books/Alfredo F. Tadiar Library is just at the end of the street. ![]()
On a final [side] note — I'd also like to point out that some of you may have noticed I added something new to this post, which are the interactive maps. Since a lot of my work really is a visual diary of place, I wanted to further help viewers visualise these locations by sharing maps of where they're actually at & what is surrounding them. This inclusion was inspired by the comic series Windmills: Bearings by Filipino komik artist, Josel Nicolas. I recently got to purchase this graphic novel at Puón & read it during breaks from my residency work. An autobiographical graphic novel, I was inspired by Josel's juxtapositions of his unique illustration style with photography & maps, to further give readers an understanding of place. Not only was this an art style I have not yet encountered in comics (although I can't say it's like I've read millions of them), his writing style was poetic, & his narratives on personal traumas & mortality were deeply heavy, yet oddly relatable. I also really appreciated his humor & very generational-specific references ranging from WWF (F, not E, because us millenials grew up during the WWF era still!), to music references like Oasis (my fav!) & Slade, to random illustrations of Gael Garcia Bernal for no real reason (maybe other than the fact that we grew up watching so many of his films in the early 2000s). Anyways, please consider this my modest book review & get your hands on this inspirational graphic novel if you don't already own it! But bear in mind (hehe), it does contain some very heavy topics.
I have one more post before I time out of my residency tomorrow, 3 May! Make sure to keep checking this space, follow me on Instagram or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. This visit was a bit of a side quest, since I can't really say for certain my parents spent any time at this destination. Earlier this week, my studio assistant & I went on a little excursion to Pindangan Ruins. This is somewhere I'd always seen nearby in my Google Maps, but kept forgetting about it. My studio assistant & I recently went to a pasalubong (souvenir) shop at the San Fernando town plaza that gives out free travel guide booklets. I was reminded again of this destination when I was reading through this helpful travel guide! According to La Union Tayo!, Pindangan was the original name of the City of San Fernando. Pindangan is derived from the Ilokano word pindang, a method of sun-drying & salt preserving meat, referring to San Fernando as a destination heavy in this type of delicacy. Due to its close proximity to the sea, the original church was at constant risk of attacks from foreign invaders (ironic, since I would consider the Spanish foreign invaders themselves). Originally built by Spanish priests in 1764, the church was eventually moved to the town plaza after a couple of other previous relocations, & it is now known as the Cathedral Parish of Saint William the Hermit. However, the ruin site has a Carmelite monastery, which does have its own small church. While this visit isn't directly related to my family's history, it's still part of my study on contemporary San Fernando & integral to its timeline. Being an Ilokana in the Californian diaspora, I'm particularly interested in the parallels between Filipinos & California Natives. We share the same colonisers — both Spain & the so-called United States — & remnants of the Spanish colonial era still exist in both places. As some of you already know, I did a recent photo documentary series on the celebration of the Santo Niño in contemporary Philippines & the diaspora for my project Venerating an Icon, as part of my recent residency at the Minnesota Street Projects in San Francisco. This project is still in-progress, but I'm aiming to tie up loose ends before the end of this year! The project examined a centuries old Spanish icon that is still glorified throughout the islands & diaspora, & I was especially interested in its context within California, another former colony of Spain when it was part of what was known as New Spain. Without further adue, here are some photos from our outing to the Pindangan Ruins. All photos below are from my Nikon ZF using a Pocket Dispo lens. View from a computer for the full experience. Click any image to enlarge. My fav easter egg I got to encounter during this visit was finding the kusikus pattern on the door frame of this small chapel (I'm assuming that's what the structure was). The kusikus is very Ilokano-specific & refers to whirlwind patterns found on abel ules, or woven inabel blankets. The kusikus comes in many variations, but this is probably the most popular version of it. Woven on blankets slept with at night, the pattern is intended to confuse & scare off bad spirits. Make sure to enlarge the images to check out that kusikus doorframe! Unfortunately, that was as close as I could get, as the property was fenced off & not accessible. Some misc bougainvillea compositions. I love the dual juxtapositions of organic & colorful with grey distressed manmade structure. I also recently found out that bougainvillea is the official provincial flower of La Union. I learnt this through the travel guide booklet I picked up at the pasalubong shop, haha. Being that it is Semana Santa here in the Philippines, you will usually find images of Jesus & crucifixes covered in purple veils. Starting during the Passiontide, or the last two weeks of Lent, they cover Jesus to observe the last days of his life up until his resurrection on Easter, when he is then unveiled. In the Philippines, his unveiling is considered a way of celebrating his resurrection & Easter. The veil is purple to represent royalty, reminding believers that "Christ is King". Just a friendly reminder that I don't believe in any of this shit, LOL. I just find it interesting, so don't come at me! More blog posts on the work I've been producing during my residency will be published in the coming weeks! Make sure to keep checking this space, follow me on Instagram or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
Earlier this week I went for a short sunset walk in the barangay of Lingsat in San Fernando, La Union. Like I'd previously mentioned, since it's been so hot, I've been trying to plan my photo outings around other errands I have to run, so that I can do photography closer to sunset, when it's less hot & the lighting is immaculate.
It's not technically an errand, more of a luxury, but there's a nail salon I started going to in Lingsat to get my nails done. I've been working on this project so much, I also need breaks & moments to treat myself! We all do. So I headed over to get my nails done first, then walked to a specific street to do some photography. Part of my mom's family history took place in Lingsat, specifically Hufano St. This is the street my older brother grew up on with our cousins early in his childhood, when our mother first immigrated to the US. He would then immigrate 5 years after her. My tita Rebing & manong Ronald both passed away nearly 2 years ago, one after the other... I didn't grow up here, but I also spent a lot of time here, both in childhood & as an adult. I decided to revisit so I could document what's left of this place to me. All photos below are from my Nikon ZF using a Pocket Dispo lens. View from a computer for the full experience. Click any image to enlarge.
Walking down Hufano St felt warm & familiar, until I arrived at my tita's house & it was nearly unrecognisable. I only recognised the property because I remembered it was a corner lot & I remembered what the gate looked like. I was sad to see the small dwellings behind the main house were gone — the lot is now empty. And I know it doesn't make sense to keep since she passed away, but I was also so disappointed to see her sari-sari store gone. I spent so many slow morning's at this store, having breakfast, & hanging out with my nieces & nephews.
More blog posts on the work I've been producing during my residency will be published in the coming weeks! Make sure to keep checking this space, follow me on Instagram, or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
More blog posts on the work I've been producing during my residency will be published in the coming weeks! Make sure to keep checking this space, follow me on Instagram, or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.
Here's some photos from my explorations around San Fernando on foot. These photos took place in the barangays of Catbangen & Tanqui. Not only are these barangays where the Balay da Judge artist residency & Alfredo F. Tadiar library are, they are also former barangays my parents used to live in & spend time in together. Since it's been so hot, I've been trying to plan my outings & errands later in the day, so I can go for a walk & explore after. Here's some interesting compositions & textures I saw during my walks, both early morning & late afternoon. I found that already by 9AM here, the lighting can be quite harsh. For temperature & lighting's sake, 4-6PM has been the sweet spot. All photos below are from my Nikon ZF using a Pocket Dispo lens. View from a computer for the full experience. Click any image to enlarge. Around the Plaza & TanquiMy mom said her & my dad once lived in a green house on Zandueta St, near the library. But we only saw one all-green house that looked way too massive for just a couple?! We saw some houses with green breeze block exteriors, but only one house that was actually all-green. Will confirm what exact house in the coming days, but either way, I love breeze blocks & I hate the mint green color, but I'm reminded of Tropikaye's study on #TKColorCooling. Check out the community index on their Instagram or Facebook pages. Despite my dislike for the color itself, this Philippine-specific visual phenomena still fascinates me. La Union Provincial CapitalFun fact: Did you know San Fernando is the capital city of La Union? I haven't been up to the capital grounds since 2018, when my older cousin first took me up here. Every time I come back home & he & his kids are not here, it's not the same. But I'll always be reminded of him fondly whenever I visit the kapitolyo or explore around San Fernando. Upon arrival, my studio assistant & I were pleasantly surprised to see that there was a lovely installation of artificial tulips for the spring season! I bet this looks stunning in the evening time. This is a location we will be visiting for my upcoming photo walk workshop, & we will be heading over around the golden hour. Hopefully it will be lit up so we can experience some magic together! They also still had Christmas decorations up, but it was still cute. 😅 Later Day ExplorationsNot sure the exact cause, but last week I experienced one of the worst migraines I've ever had. I was laying in my darkened room with the blinds shut. Any light & sound was making my head pound, & it hurt to look at anything. I tried taking an hour nap & woke up feeling worse! Took a cold shower that didn't help either. I took some meds & knocked out for another 5 hours, & that ended up doing the trick. It could have been caused by a combo of lack of sleep (which is not uncommon for me, sadly), heat exhaustion & maybe even dehydration. After a busy week & that migraine spell, Friday came along & I felt entitled to treating myself to a spa day, hehe. I took a tricycle to the spa, then took one back & got off at the town plaza so I could head back to the residence in Catbangen on foot. During my walk around Catbangen, I decided to take some side streets to find a local mini mart. It was closed, but I randomly happened to come across my mom's former high school. I often enjoy taking side streets because they're quieter & sometimes you just find things you wouldn't expect to see, whether they're locations or just cool compositions. Saw this sick tricycle sidecar with flames painted on it. Along with the epic sunset lighting, it's giving Philippine Flavortown aesthetic. 🔥 I love the juxtaposition of nature with rusty textures & colors. When you think of it, rust is just a chemical reaction that happens naturally when steel or iron corrode from the meeting of oxygen & water. More blog posts on the work I've been producing during my residency will be published in the coming weeks! Make sure to keep checking this space, follow me on Instagram or subscribe to my YouTube channel for updates on my posts. All updates on my residency will be tagged under Balay da Judge.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. Semana Santa (Holy Week) in the Philippines is a religious season I've always wanted to experience. It is every goth girl's dream, hahaha (just kidding). All jokes aside, it's considered a big deal in the Philippines due to the country's large Catholic demographic. Not only is it very significant here, Semana Santa in the Philippines is particularly known for the senakulo, a gory reenactment of the passion play & death of Jesus. Senakulo comes from the Spanish word cenáculo, which is Spanish for the Cenacle — the Upper Room in Jerusalem where Jesus held the Last Supper. I'm not sure if our province reenacts such a gruesome senakulo performance, but I am both looking forward to finding out & also kind of scared. 😅 I've only ever seen fake gore on TV, not real gore in real life. Kicking off Semana Santa, I went to the local church at the town plaza in San Fernando, less than a 15 minute walk from my studio at the Balay da Judge, to attend an Ilokano mass for Palm Sunday. I knew the streets would be filled with palaspas, or woven palms. Signifying the start of Semana Santa, Filipinos carry their palaspas in hand to observe Jesus' entry into Jerusalem, where he was greeted with folks waving palms at him. While palaspas has its religious connotations, let's also acknowledge the art of palm weaving as a pre-colonial Indigenous practice. Aside from religious purposes, palm weaving is also used to make vessels to cook rice, baskets, fiesta goods & more. This moment feels full circle for me, since before I came back to the Philippines, I produced a palm weaving workshop for Mata Art Gallery in partnership with Artronika, led by teaching artist Diyan Bukobomba. Check out a recap here! All photos below were created with my Nikon ZF using a Pocket Dispo lens. View from a computer for the full experience. Click any image to enlarge. More blog posts on the work I've been producing during my residency will be coming up this week! Make sure to keep checking this space, or follow me on Instagram for updates. All updates on my residency will be tagged under Balay da Judge.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. I'm so excited to finally share that I am Alfredo F. Tadiar Library's second Balay da Judge artist-in-residence! While I've spent my first month in the Philippines exploring new places & reconnecting with friends & family, I'm spending my second month on this trip living & working at the Balay da Judge as part of my residency with the library. This residency is notably special to me, because it takes place in La Union, my family's home-province, where we have lived & thrived for generations.
For this residency, I am continuing my ongoing photo documentary project, Somnia Memorias (2018-present), which now consists of 3 different parts (part 3 is still currently in-progres), with the 4th part underway as part of my residency. The 4th part of the series focuses on San Fernando, the capital city of La Union. While my family is originally from San Juan, the neighboring municipality, much of my family has spent time in San Fernando, including my parents. San Fernando is particularly significant to me, because it is the place my parents first lived together as a couple & fell in love. Coincidentally, one of the houses my parents lived in together is on the street that crosses the library. For this project, my goal is to visit & document the barangays my parents used to live & spend time in together in San Fernando. Some of these barangays include Tanqui (where the library & bookshop is located), Catbangen (where the balay is), Ilocanos Norte & Lingsat. This project also attempts to trace back & log part of my family's history. One thing I wish I did more of before my father passed away was ask him more about himself, his family, who they were, where they're from, etc. It took me years to process this & name what it actually was: regret. When my dad passed, another father-less friend reminded me that all I have left is my mother, & to make the effort to talk & ask questions before it's too late. The start of this project has been interviewing my mother, asking about each immediate family member she knew of. Parents, siblings, half-siblings, etc. She only knew one grandparent, but barely knew him. I'm particularly drawn to finding out who he was. Aside from asking her about her immediate family, she's really the last connection I have left to my dad, or at least the last person who knew him the best. Of course I have my siblings, but none of us knew our dad the same way my mom did. By visiting the local places they once spent time in together, I'm hoping to also preserve a piece of contemporary La Union, with a special concentration on San Fernando. In addition to the photo documentary work, I'm also hosting a 2-day photo workshop, where I'll be teaching the basics of photography on day 1, & leading a photo scavenger hunt around the city on day 2! We will announce dates & times soon. Keep an eye out in this space for some digital previews of the work I'll be creating, before I officially process the film in a few months! Thank you to all of you who helped me get here, & thank you to the Artist Resistance Through Solidarity (ARTS) Foundation for partially funding my residency project as well! Another piece where the scan does the colors no justice!
This untitled multimedia piece, consisting of goache on a digital photo print, is a collaboration between me & fellow Filipina-American artist, Vanessa Briones. Vanessa & I have been good friends & collaborators for the last 7 years, & I felt so lucky I got to spend a lot of quality time with her again during my recent residency in San Francisco. It was nice to co-work adjacent to her at my SF studio space! This idea, where I ask other artists to paint their vision in their style over my photo prints, is something I've thought of doing for years. Not only did I get to spend more than one day with Vanessa, I am honored she got to be the first to attempt this experimentation with me. The photo is of Namacpacan Church in Luna, La Union, which you can read about its lore & history in my blog post Return Call Part 3. This collaborative idea is something I hope I can develop into a series & get more artists involved in. Leave a comment or hit up my email if you're interested in attempting this with me! So excited to share the first risograph prints I've ever made, during my artist residency at ARROZidency, at OM France Studio at the Minnesota Street Project. I am absolutely IN LOVE with this process & it totally opened up a new format for me to present my photography, that never even crossed my mind. Huge thanks to Abby Banks for training me. Back in undergrad, I did an internship at a screen printing shop & learnt all the various processes to make a print/design. Everything on the back end from color separation to layering the color registration during the printing process. The riso process was very familiar. After a quick tutorial from Abby, I simply watched YouTube tutorials to get a rundown on the CMYK color separation process via Photoshop, created the design on PS using a photo from my recent Santo Niño Fiesta series (coming soon!), separated the colors out, printed the different color channels out for free at the public library, then ran them through the riso machine. It took days of practice, trial & error, & really understanding such an old, finicky machine. But the result was so worth it! This summer, I am looking forward to taking a proper risograph training, so I can then have full-time access to a riso studio. I'm so thankful for this recent residency opportunity. Without it, I don't know if I would have ever thought to try bringing my photography to riso! Here's some quick snaps from my phone, but I will make proper scans soon. Stay tuned for my Santo Niño Fiesta photo documentary series coming soon, too. This cultural event is what I centered my residency project around & I look forward to sharing with you all who read my silly lil' blog. 😝 A run of test prints just on regular copier paper, when I was first practicing & learning to understand the machine. Final prints on Bristol paper! update 02.21.25:Proper scan of the riso print, but the scan does the colors no justice!
Going a bit out of sequence from my recent trip to the Philippines, here are some photos from a short trip my mom & I took to Cebu together. Part exploration & holiday, part study & research for an upcoming artist residency, where I am studying the origins of the Santo Niño & its context in contemporary Philippines & the diaspora. Some photos are not related to the research at all, but included are digital compositions from additional explorations around Cebu City. Fair warning, some photos are not good at all... Haha, but are more intended just for documenting purposes. All photos are from my Nikon ZF using a 24-70mm lens. I was able to sort through the photos properly through my desktop this time & edit them through Adobe Lightroom. However, for previous photos, I used the Nikon SnapBridge app through my iPhone, which I highly recommend if you're on the go & just want to get some snaps off your Nikon really quickly. Click an image below to enlarge. View from a computer for the full experience. Comments are welcome! :) Journey to Clark International AirportThe only way to get to Cebu from San Juan, La Union was to fly, since it is another island quite far away. My mom & I decided to fly out of Clark International Airport in Pampanga instead of taking the bus 6-8 hours to Manila & flying out of there. Neither of us had ever been to Clark before. After some research & confirmation from the bus company, we learnt you take the Bataan Transit bus out of San Fernando (the neighboring town) to Dau bus terminal in Pampanga, then either catch a short shuttle bus or taxi to the airport from there. Altogether, the journey was about 4 hours (minimal traffic since we left San Juan at 2AM), & saved us a few hours compared to having to trek to Manila. Clark was a positive experience, which no one usually says about airports & flying, haha. There was no traffic outside, the airport architecture was spacious, & there were more food options compared to the airport in Manila. I look forward to flying into/out of Clark Airport on my next trip to the Philippines. Loved the Mondrian-esque stained glass color scheme of this bus terminal & the vintage-looking buses. Sugbo SentroLocated near our hotel was Sugbo Sentro, an outdoor food court filled with local Cebuano cuisines. Throughout the food establishments, one can find small Santo Niño altars among the food displays, as well as dancing plastic bags — an innovative solution to keeping flies away from the food. If you are vegetarian/vegan, there are not a whole lot of options here for outside of juice, rice & salted duck eggs. Sorry! 😅 I recall the space being handicap accessible (correct me if I'm wrong), but I'm not sure about the toilets. As a general practice when traveling in the Philippines, be sure to always bring your own tissue, hankies & hand sanitiser, as many toilets are not equipped with tissue or hand soap. 🥴 ![]() A small local fruit stand situated just outside of the food court. Some of my fav fruits are lanzones (which I've only ever seen in the Philippines) & rambutan. I always make sure to have these fruits whenever I go home, because they're either not accessible in the US, or they're very expensive & bland. Jumalon Butterfly Sanctuary & Art GalleryThe Jumalon Butterfly Santuary & Art Gallery is a lesser-known attraction I found in my travel guide. Many of you who know me well know that I really love butterflies. Aesthetically they're beautiful, but I also love what they represent metaphorically. Transition, transformation, change, movement, migration, travel & sometimes return (depending on the type). If you love nature, science & art, I highly recommend visiting this space. There is a small entrance fee, but if you are in a position to donate more, please do as the sanctuary is completely sustained by the family & is not supported by any government funding. You can also support by letting more people know about the sanctuary. From what the remaining family members told us, they were getting so many more visitors, school & university tours prior to the pandemic. Like many small businesses & DIY spaces, the pandemic took a toll on their foot traffic. So if you happen to be in Cebu City, please make sure to pay this unique space a visit. Here are some photos from my Nikon ZF. Fair warning, not all are nice. I documented some just for the sake of documenting, so please don't come at me in the comments with mean banter. Be nice to me. 🥹 A few misc compositions of the garden spaces of the sanctuary. Not pictured are the fluttering butterflies that could be spotted throughout. It was a bit difficult for me to photograph them. 😅 But also, I kind of didn't want to? Sometimes it's nice to just be in the moment without holding up a camera to everything. I noticed when juxtaposing these 4 images together, they kind of have similar compositions. What do you think? Julian N. Jamalon was not only an avid butterfly enthusiast, but he was also an artist & some would even say a scientist. We were told he'd been collecting butterflies since he was a child. As an adult, he was the first artist to create mosaic paintings out of broken butterfly wings, which he'd spent time collecting over many years. Not pictured, we also got a tour of his private art studio & study, which contained many of his original sketches, small watercolor paintings & research. Something about looking into a dead man's private life was eerie, but also beautiful & special. Not formally trained as a biologist, he was also a scientist, being the first to study Native butterflies of the Philippines. He traveled throughout the Philippines, Southeast Asia & other parts of the world collecting & studying butterflies, moths & other insects. Side note: Turns out it's really difficult to photograph objects behind glass! Or, maybe I'm just not doing it properly? If any other photographers have tips, please let me know what you've got. I'm still learning a lot of new things since picking up digital photography. A few outdoor butterfly sculpture displays. Here's some photos of the interior gallery displays. Small, intimate, & situated on the ground level of the family's home, this gallery was like stepping into a time capsule of someone's personal life. Filled with dozens of insects, this gallery also displayed plenty of misc bric-a-brac collected during Jumalon's travels over the decades. The best part of this gallery was its unpretentious & DIY nature. Everything had its own charm & personality, including the ceiling fan, old AC wall unit, cocoons inside of plastic food containers, & mismatched fabrics used to cover the displays. I hope if this collection is ever acquired by a museum, they display it exactly like this, because this is not only a collection of art & science, but it's a history of a multigenerational family's life, which is just as important & equally deserves to be preserved in the same caliber. Last stop at the sanctuary was the art gallery (entrance pictured above), which housed all of Jumalon's award-winning original watercolor & mosaic paintings. Once inside, there is no photography allowed. I'm assuming due to fear of illegal reproductions, which is understandable. This means you'll have to visit in-person someday to see what the paintings look like! 😉 Carbon MarketNext, we visited a massive palengke (open-air public market), known as the Carbon Market. It is the oldest & biggest palengke in Cebu. It was so big, we did not get through the whole market. One, because it was so overwhelming & crowded. Two, because it was way too hot & the heat exhaustion was starting to kick in. 🥵 Dating back to the early 20th century, during the American colonial era of the Philippines, this palengke has everything from tropical fruits & veggies, street food, pasalubong (souvenirs), woven goods, flowers & more. My mom was taken aback by how much cheaper the fruit was compared to San Juan & brought back two giant bags of lanzones & rambutan. As you will see, I also came across a handful of small Santo Niño altars throughout the market. The parts along the roads can be handicap accessible. However, once you go inside, the walkways are so narrow & full of items, even a walking person can have difficulty getting through. Please practice caution & awareness when walking throughout the aisles. Misc ParadeMisc parade celebration we came across on our way to the basilica. I don't really know what it was for, haha. I am assuming it was a promotion for a local politician. Basilica Minore del Santo Niño de CebuThis was the main thing I wanted to go to Cebu for. I wanted to learn about the origins of the Santo Niño in the Philippines & go back to where it all started. It's quite a lot to explain & this post is already very long, but you can learn about the history on the Basilica Minore del Santo Niño de Cebu official website. If you do plan to visit the basiilica, make sure to wear proper attire. It is a lot like the Vatican now: full of tourists & dress code rules. Make sure you wear a top with sleeves that does not expose your chest or back, wear close-toed shoes, & if you are wearing a dress, skirt or shorts, make sure they are well past your knees, including the backs of your knees when you bend over. They will not let you in otherwise! I thought my dress was long enough, but they saw the backs of my knees & did not let me enter. I ended up having to go to a shop nearby that sold long skirts. The funny thing was, they just started enforcing this new dress code maybe one or two days before we visited. There are loads of vendors outside the basilica selling prayer candles & other religious souvenirs. There could be a new market for the vendors to now sell long skirts & shirts. 😅 Lastly, please note that some parts of the basilica are not handicap accessible. 😔 I think for me, speaking as a non-Catholic/Christian/religious person in-general, the coolest thing I got to see was the original image of the Santo Niño that first appeared in the Philippines as far back as the 16th century. Many make the pilgrimage to visit this Holy Child & sometimes queue up for several hours to quickly glance at it encased behind bulletproof glass. Me? I got lucky & only waited for 10 minutes, haha. A bit difficult to photograph the interior of the cathedral, since visitors are not allowed to do photography past a certain point. I tried my best! Magellan's Cross, found just outside of the basilica compound, symbolises the Spanish colonisation & Christianisation of the Philippines in 1521. 😮💨 The mural depicts the baptism of the former Cebu royalty to Catholicism. El Fuerte de San Pedro & the National Museum of the Philippines — CebuEl Fuerte de San Pedro (Fort San Pedro) is the oldest fort in the Philippines. This makes sense, since the first Spanish settlement was in Cebu. Sources online state that you can view original artworks & Spanish artifacts at the fort. This is no longer true, as they have been acquired by the National Museum. The museum is located just next door & you can easily walk on over to learn more about Cebuano & Bisayan history, both precolonial & colonial. Fort San Pedro is not handicap accessible. If I recall, the National Museum does have lifts & accessible toilets available. Right: Small Santo Niño sculpture displayed at the National Museum. Unfortunately, I do not know who the artist is! If you know who it is, please let me know & I can properly credit them. Thank You!That concludes this very long post & the Return Call blog series! If you made it this far & actually read everything — thank you! But if you just skimmed through the photos, I appreciate that, too. I know I could have easily broken up this post into multiple smaller posts, but it was important to me to keep each part of the trip together as their own mini-series within a series.
Coming soon: Hopefully some film photos! I sent about 28 rolls to the lab & have soooooo many to scan. Each roll is 36 exposures, so please be patient as I sort through them all. I'm excited to share I've upgrade my 10 year old scanner & have a shiny new scanner to work with that is much higher quality & should hopefully shave off a significant amount of editing time. I'm stoked to share the results with you all! I welcome any questions or dialogue in the comments below. Would love to know your thoughts on this post. 🖤 |
NICA AQUINOIn this space I'll share digital previews of my film photography, updates on new artworks in progress, upcoming programs, inspiration & my other misc interests. Archives
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