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Sharing more of the extended research & photography of my month long ARROZidency artist-in-residence. If you are just starting here, I recommend scrolling to the bottom to start at the beginning. View from a computer for the full experience! As another reminder, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For the full extended roundup of my research during my residency, visit: It was Sunday, February 2, 2025. The rain was making its way through San Francisco & I had a ticket to the Asian Art Museum's free admission day. The rain was coming down & I remember being on the phone with my partner in the morning, asking him if I should still go, because it was raining & I wanted to be cozy. 😅 He encouraged me to go, because I may never get another chance to experience this again. I got dressed & had a short bike ride over to the museum from my sublet in Nob Hill. I was hoping that even though it was the free admission day, that not many people would be there because it was raining. I was sadly mistaken, haha! It was a bit too crowded for my taste, too noisy, I had a hard time navigating the galleries, some of the galleries were closed for installation, & from what I did get to see, I wasn't really impressed with the exhibitions. However, the main thing I wanted to experience at the museum was the lion dance performance. Having experienced my first lion dance performance just the year prior, I wanted to relive that electrifying feeling again. While the program was sadly so unorganized, the performance itself was so much fun to experience. At this time, having just left LA for this residency as the fires were erupting, I wanted to bring back some good fortune and cast off any lingering bad energy before returning to LA. 🐍 I hope everyone is feeling the energy of rebirth and renewal as we all finish shedding our skin from the year of the wood snake. Now, as we enter the year of the fire horse, I wish everyone a happy Chinese New Year, Tết, and Seollal! Fun fact: I was born in the year of the horse (in the 1900s)! The horse is known for being strong, independent & anti-authoritarian by nature. May we all channel our big fire horse energy this year as we dream of a future where authority & hierarchies no longer exist. ❤️🔥🐎 Shout out LionDanceME for their high-energy performance! Here's some photos of their performance from last year. Photographs were created with my Nikon ZF & a 24-70mm lens. Click any image below to enlarge.
  
  
    
     
 Additional photos & research from the rest of my residency are forthcoming & will be tagged under ARROZidency.
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
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Sharing more of the extended research & photography of my month long ARROZidency artist-in-residence. If you are just starting here, I recommend scrolling to the bottom to start at the beginning. View from a computer for the full experience! As another reminder, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For the full extended roundup of my research during my residency, visit: My month in San Francisco for my ARROZidency was surrounded by art and creatives. I felt/feel incredibly fortunate & grateful for the experience, because I got to meet so many artists, as well as reconnect with artists & friends I hadn't seen in real life for a number of years. It was amazing to feel like I was immersed in a community of creatives again, & also have access to art everywhere. From my residency studio, its facilities & all the people who work there, to the galleries just across the street, to even the temp sublet I was renting in Nob Hill. Of course, while spending my time getting creative & connecting with other artists, I also got to experience some exhibitions & soak up some inspiration that way. Here's a few shows I got to check out in-person! Photographs were created with my Nikon ZF & a 24-70mm lens. Click any image below to enlarge. Spirit House at Cantor Arts Center at Stanford UniversityMy residency host invited me, another artist at the studio (who was also a former AIR) & his spouse to check out the last few days of Spirit House at the Cantor Arts Center at Stanford University. You can check out a virtual tour of the program on their website. I appreciate that some institutions & arts spaces still offer this accessibility option for the many reasons some cannot make it to art exhibitions in-person. I also did not photograph every single work, just a few of my favorites. So definitely head over to their website to view the full exhibition of works & to learn more! The artwork themselves were phenomenal, the collection was a great choice, & the placement of everything was very thoughtful. I have no notes or edits on the layout, selection, or the artwork at all. I just have a lot to say about exhibitions like these. However, I'm not an art critic, so I'm saving that discourse for real life conversations. If you know me, you already know how I feel about it. ;)
Stephanie H. Shih Offering (Ash Tower), 2023 ceramic and steel
Amanda Phingbodhipakkiya What Remains, 2024 rice boxes, paint, rice, rebar, wood, cast hands, beads, thread, rope, wire, and textile
right: Cathy Lu Banana Tree, 2023 ceramic and joss sticks left: Reagan Louie Window, San Francisco, Chinatown, 2005 archival pigment print edition 2 of 5 I might be biased, because I love photography (obviously) & didn't see a lot of of it in the exhibition, but Louie's photo was probably my favorite piece in the show. Not necessarily because it was a photograph, but the simplicity of a still life photo down to the smaller scale of the piece compared to the (sometimes) overwhelming size of everything else managed to say a lot. Sometimes less is more, & this piece truly embodied that for me. This was a peak into someone's world, something that was relatable for me in just this one small photo. I'm not Chinese, but it's something about the clutter and maximalism of a small space that speaks to the universal experience of growing up in a small immigrant household. 
Nina Molloy Shrine, 2021–2022 oil on canvas
Tuan Andrew Nguyen Nothing Is Ever Lost, Nothing Ever Gained, 2022 brass from artillery shells, mounted on black stainless steel Nothing Ever Dies, 2022 singing bowl pounded from 122 mm brass artillery shell, tuned to note G at 410 Hz 
Tidawhitney Lek Refuge, 2023 acrylic, pastel, and oil on canvas
Dinh Q. Lê Cambodia Reamker #29, 2022 Epson inkjet print on Epson double-weight matte paper, acid-free double-sided tape, and PH-neutral linen book tape
Maia Cruz Palileo Big Lolo, Little Lolo, 2021 wood, milk paint, table
Korakrit Arunanondchai Shore of Security, 2022 repurposed wooden dollhouse made by the artist's mother, wood, house paint polyurethane, fabric sculpture, ceramics snake skeleton, and LED lights
Namita Paul Testimony, 2023 canvas and gifted textiles, thread, gold leaf, gold spray paint, lentils, wheat berries, and photo transfer  I don't think these tapestries were technically part of the exhibition? There seems to be no clickable description about them in the virtual tour — so, unsure!  Friend & residency co-host Malou with her baby girl, Habibi! Oscar yi Hou Girl with the Dragon Tattoo, aka: Bushwick Bleeding Hearts Club, 2022 oil and gouache on canvas Cian Dayrit's LibertIEs Were Taken at Root Division I got to check out Cian Dayrit's solo exhibition Liberties Were Taken at Root Division during SF Art Week, a week-long celebrations of San Francisco's art scene that takes place across multiple galleries and creative spaces. I attended a curator-led walkthrough of the exhibition that was very informative, & the curator was a very professional presenter, making it was clear they did a lot of research and studying for this exhibition. Also got to meet a rad fellow photographer, Hunter, who works at the gallery & took this photo of me in action, haha! Here were some of my fav pieces from the show. While I did enjoy the Spirit House exhibition a lot, I have to say I liked this one more. And not because the artist is Filipino, but I appreciate smaller community art spaces like these more over large institutions. 
 
  Minnesota Street Project's Dark Matter for SF Art Week 2025Last but not least, I got to check out Dark Matter presented by The Space Program at Minnesota Street Project for SF Art Week, one of the main events of the week. I was very lucky to have been located so close to this event, with the studios being just across the street. One of the artists at the studio whom I'd gotten to know over the month also had work part of this program. I also learnt this night, that the owner of Re.riddle (one of the gallery spaces at Minnesota Street Project) was also the curator of the exhibition I got to see at Edge on the Square! It was really amazing in the end how all my experiences connected with each other. Below are a few of my fav pieces from Dark Matter, but here is a full list of works if you'd like you see what else was shown. Some of the work below was not part of the Dark Matter program, but from exhibitions at one of the galleries that were open during the opening night — so make sure to check out that image list for accuracy!  Maria A. Guzmán Capron and Seth Capron Lap Chair powder coated aluminum 19"x55"x55" 2025
Ben Venom Night Flyers, 2024 hand-made quilt with fabric 39” x 51”
Rachelle Reichert Wildfires, 2024 San Francisco Bay salt, redwood ashes from California wildfires, and mixed media on panel 48" x 48.5"  Jud Bergeron Layered #1-4, 2024 ink and copper leaf on paper 33" x 25"  left: Richard Colman Untitled (Aluminum Leaf), 2024 20” x 23” silkscreen, acrylic and aluminum leaf on paper right: Untitled (Gold Leaf), 2024 20” x 23” silkscreen, acrylic and gold leaf on paper
Demetri Broxton Just Beyond the Waters, 2025 sequins, glass and wood beads, rayon tassels, silver, quartz, and cowrie shells on sateen cotton, linen, wool, and birch 21" x 38"
Andy Diaz Hope Future Memory: Juniper, 2023 17" x 26" unframed digital and physical collage, silkscreen, and photography on paper
left: Oliver Hawk Holden Watermelon inflatable in solidarity with Palestine, 2023 Ripstop nylon, HVAC fan, plywood, and sheet metal 8' x 8' x 16' top right: Jay Howell 22” x 24” Untitled, 2024 5 color silkscreen bottom right painting: Yarrow Slaps Castles burn and new grounds rise, 2024 12" x 12" acrylic on canvas bottom right sculptures: Yarrow Slaps Star Lady Plant Head and King Bruh Bruh w the glasses, 2024 ceramic
Charlene Tan Kumot ng Bata, a Homage. 2024 silver leaf, abalone, capiz, cowrie shell, airport reflective glass beads, micro beads, paint, glue, and digital print on aluminum panel 54” x 72”
Gianluca Franzese Arteries of the Earth, 2024 aluminum leaf, silver leaf, copper leaf, 12k white gold leaf, 18k and 22k gold leaf with acrylic glazes on panel 48 x 60.75" 
 
Works from Rena Bransten Gallery's Summoning group exhibition. left: Lava Thomas I Walk in the Light of My Ancestors' Prayers, 2024 altered tambourines, acrylic marker on metallic leather, mirrored acrylic disks, grosgrain ribbon 59.5" x 115.25" x 2" right: Viviana Paredes Everywhere / nowhere, 2018 cast glass, ceramic beads, steel plate sculpture: 6" x 13" x 10" steel plate: 15" x 13" x 0.25" A final post & conclusion of my photos & research from my residency are forthcoming & will be tagged under ARROZidency.
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. Welcome to part 2 of this photo blog series, Taiwan Travel: Art, Ritual & the Everyday. If you are just hopping on, I recommend scrolling to part 1 below! National Center for Traditional ArtsWe got to spend a day exploring local Taiwanese art & culture in Yilan County! We started off the cloudy day exploring the National Center for Traditional Arts. Visiting at this time of year (late October/early November) was such a difference from the last time I visited in 2018, which was in August, when it was humid & hot as hell. And this was certainly a big difference, after having been traveling in the Philippines (where it was still hot & humid) for a month before hitting Japan & Taiwan. The National Center for Traditional Arts was fascinating. Not only was it surrounded by massive art sculptures, it was also filled with vintage & antique ephemera that celebrated the region’s heritage, along with shops & places of worship. At the temples throughout the site, my friend taught me some of the practices & prayers. Since people were praying, I chose not to photograph the spaces out of respect. Instead, I focused mainly on the art & vintage culture of the complex. Images were photographed using my Nikon ZF & 24-70mm lens. Click on an image below to enlarge. I recommend viewing from a computer for the full experience. 
  
  
   
 Misc photos from our phones: LOL, my friend asked me if I wanted to wear some traditional Taiwanese cultural attire. I said sure! She took me to a vintage-forward photo studio located inside the National Center for Traditional Arts, where they dressed me up & did my hair. We were laughing when they did my hair, because they took so much longer on me. They said they wanted to go all out because it was my first time there. My head felt like it weighed 5 kilos heavier. Anyway, if you ever find yourself here, check out the Photo Studio of Youth. They lent us the clothes for the day, so we explored the whole property wearing these clothes, haha!
Luodong Cultural Working HouseNext, we got to visit the Luodong Cultural Working House. Since rain had arrived, it was the perfect place to stop next because we got to be indoors, check out some of their art galleries & rotating exhibitions.
 
I love, love, looooove oil painting textures & of course had to get some close-ups. 
 
Ending the DayWe ended our outings with some really amazing vegan Taiwanese food — actually, some of the best vegan food I've ever had in my life! Not only were the flavors very authentic, but the food was also very affordable & high quality. We were so impressed by the food, we actually ended up going to eat at this restaurant more than once during my trip. Pictured below on the right is the owner of the restaurant & chef. I can't remember her name at the moment, but she started chatting with us because she wanted to know how we found out about the restaurant. We told her we happened to be driving by & saw their huge sign outside that said "plant-based restaurant", & we explained to her that it's my diet & I was curious about the restaurant. We had a language barrier, but my friend was kind enough to translate between us so we could communicate. She asked if I'm vegan & I explained I'm not actually vegan, but have been eating a mainly vegan & vegetarian diet for a decade (over a decade now). We exchanged stories on why we've made these lifestyle choices for ourselves. She shared that her whole family is vegan & that she decided to change her diet, because at one point she was very ill, & changing her diet healed her. She then showed me some photos she keeps at the restaurant to share with folks, from the days she was once ill with lupus & other diseases. As you can see from the very bad auto-translate below on her Facebook post, I also shared that bad health runs in my family as a result of poor dietary choices. And also because I just care about the environment & hate capitalism. I also shared with her how impressed I was with her food, how flavorful it was, how generous the portions were & how affordable the food was, & explained to her that vegan food in the US is very expensive & the quality isn't anywhere near as nice. She said I was the first foreigner to visit her restaurant & asked if she could share about my visit on their Facebook page. I said sure! Her restaurant has over 10,000 followers on FB! So if you are on FB, make sure to give Hao Ma Plant-Based Restaurant a follow & definitely stop by for a visit if ever find yourself at Yilan County in Taiwan. And as you can see from the photo below, these were the portions! To learn more about their story, visit their website. The website is not in English, but if you're on Google Chrome, it should give you the option to translate to your preferred language. I hope I can visit again one day & enjoy her amazing food again!
 Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. Happy Lunar New Year from so-called San Francisco, CA! I've been in SF for a little over two weeks now, participating in an artist-in-residence program I was invited to nearly a year ago. This was something I was looking forward to all of last year & I've been having an amazing time so far. In just these past two weeks, I've got to connect with so many incredibly talented artists & arts professionals, experience so much art & culture, eat phenomenal food, & go on some scenic bike rides through parks & along the Bay. It's been an absolute dream. I hesitated to share about this sooner since many of you know I mostly work in silence & don't post a lot online. Especially within these last 1-1.5 years with the genocide & ongoing occupation of Palestine, then with the massive wildfires back in my hometown of Los Angeles erupting across the city right as I left for my residency, I've struggled with sharing because it hasn't felt good to me. However, in the next couple weeks as I start to wrap up my month-long residency, I'll be sharing more about what I've been making here in SF, as well as some more exciting news for my artistic "career". 2025 is year of the wood snake. The snake symbolises good luck & rebirth. Many of us in LA have had a rough start to 2025, & so many in Palestine have lost so much over nearly a century. I can't even begin to imagine what some are going through. But, while fire may be associated with destruction, it also comes with rebirth & regrowth. As we spend at least the next decade (or more) rebuilding, I hope 2025 is the year we all begin to rethink our relationship to the earth & each other, & the changes we need to make to ensure we see the land & our communities thrive for many more years. Feel free to let me know in the comments what your hopes are for year of the wood snake. 🪵🐍 Anyways! Here's some pics from this last Sunday at the SF Chinatown Flower Market Fair, as well as a visit to Edge on the Square to see their current exhibition (please note they're not normally open on Sundays). All photos are from my Nikon ZF with 40mm lens. Please view from a computer for the full experience & you can click on any image below to enlarge. 
  
 
WALKING STORIES AT EDGE ON THE SQUAREEdge on the Square is a space I wanted to check out the previous Sunday as my little cousin & I walked around Chinatown after having lunch. As the window display caught my eye, I was bummed they were closed! Thanks to their newsletter, I found out about the Chinatown flower fair & I was very happy to see they were also open. Their current exhibition, Walking Stories, is not one to miss. It is an interactive exhibition that shares the narratives of several Asian/-American artists. Check it out while it's still up & make sure to grab yourself some free zines & print media made by the artists.
The exterior window display (pictured on the left) particularly caught my eye, since it seemed very Killjoy-esque. Not her work, but a great piece nonetheless. However, I have to say the installation on reparations (pictured on the right) was my fav of all the works. Definitely grab yourself a mini-zine from the artist as well. MISC UPDATES:
Lastly, I'd like to share, like many people, I am further reducing my activity on social media. Social media is not something I've enjoyed for many years now. Just like I got off of Facebook & Tumblr, I might exit Instagram as well, but not sure yet. I will continue updating this blog & my new calendar page. I also recently started rolling out more of my video "content" on my YouTube channel — please subscribe! It's mostly just for fun, hehe. In the mean time, the best thing for you to do is sign up for my newsletter at the form below, to receive my updates in your inbox. Thanks for reading. I welcome any questions or dialogue in the comments. 🖤 |
NICA AQUINOIn this space I'll share digital previews of my film photography, updates on new artworks in progress, upcoming programs, inspiration & my other misc interests. Archives
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