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Sharing more of the extended research & photography of my month long ARROZidency artist-in-residence. If you are just starting here, I recommend scrolling to the bottom to start at the beginning. View from a computer for the full experience! As another reminder, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For the full extended roundup of my research during my residency, visit: A place I really wanted to visit during my time in the Bay was the San Francisco Mission, which I had just learnt was actually split into 2 different structures, including the Mission San Francicso de Asis & then Mission Dolores. For anyone new here, I'm not religious, Catholic or Christian. However, I am interested in the history of the California Missions, because I'm interested in the parallels between the Natives of so-called California & the Natives of the so-called Philippines. Strange, but one of my life goals is to someday visit all 21 California Missions. I've only visited 4. 😅 Anyways, as someone part of the Ilokano/Filipino-Californian diaspora, I'm interested in the parallels between our histories because we share the same colonisers — Spain & the so-called United States of America — with both still having a traumatic chokehold on our cultures. Whenever I visit a church in the Philippines, my first thought is, "This feels like I'm in California." And when I visit a church in California, I find myself thinking the reverse: "I feel like I'm in the Philippines." It's these feelings that lead me to believe that the Californian diasporic experience is particularly unique among Filipinos. [ For some quick comparisons, check out my more recent photos of the church in San Juan, La Union, where my father was baptised in the 1930s & where we had his mass before his internment; the Namacpacan church in Luna, La Union; & the Basilica Minore del Santo Niño de Cebu, where I started my research for this residency. ] The Mission in San Francisco is the oldest structure in the city & it also houses the oldest & only cemetery within the city limits. This was particularly interesting for me, because while I haven't been to many CA Missions yet, this is the only one I've been to (so far?) with a cemetery. I'll share more history on the cemetery below. Starting with some exterior views of the Mission San Francisco de Asis, moving into the interior, to the cemetery, and to the interior of the Mission Dolores Basilica. Photographs were created with my Nikon ZF & a 24-70mm lens. Click any image below to enlarge. Mission San Francisco de Asis Exterior 
Mission San Francisco de Asis Interior
  St. Joseph's Altar (1810). Anonymous. wood, gold leaf, oil paint. Left to right: St. John of Capistrano, Saint Joseph, St. Bonaventure.
 St. Anthony's Altar (1810). Anonymous. wood, gold leaf, oil paint. Left to right: St. Pascual of Baylón, St. Anthony of Padua, St. Francis of Solano.    Reredos, Main Altar (1797). Anonymous. wood, gold leaf, oil paint. According to church signage: The reredos was crafted in Mexico and brought to the mission in 1797. Clockwise from top left: St. Francis of Assisi in ecstasy. St. Joachim, father of Mary. St. Michael the Archangel. St. Clare of Assisi, founder of the order known as the Poor Clares. St. Francis of Assisi with the stigmata. St. Anne, mother of Mary. Crucifix. Mary under the title of the Immaculate Conception. Tabernacle. After a quick search, I learnt that a reredos is a type of altarpiece. According to Britannica: altarpiece, work of art that decorates the space above and behind the altar in a Christian church. Painting, relief, and sculpture in the round have all been used in altarpieces, either alone or in combination. These artworks usually depict holy personages, saints, and biblical subjects. Several technical terms are associated with altarpieces. The predella is a low, decorated strip intended to raise the main part of the altarpiece to a height where it is readily visible from a distance. A diptych is an altarpiece consisting of two painted panels, a triptych has three panels, and a polyptych has four or more panels. A winged altarpiece is one equipped with movable wings that can be opened or closed over a fixed central part, thereby allowing various representations to be exposed to view. The term reredos is used for an ornamental screen or partition that is not directly attached to the altar table but is affixed to the wall behind it. The term retable simply refers to any ornamental panel behind an altar.
Ceiling. MISSION INNER-EXTERIOR + CEMETERY
Pictured right is the Mission museum, which houses a fair amount of Native crafts & artifacts from the Ohlone people. To be honest, I didn't want to take photos of any of it. 😕  Ceramic mosaic mural by San Francisco artist, Guillermo Granizo (1923-1996). According to Granizo, "In the garden of the mission is a mural of the Spanish Ship "San Carlos" that was sent by the Spaniards to the Pueblo San Francisco to sponsor and colonize the area." Mission Dolores CemeteryFor centuries, the Native Raymatush Ohlone inhabited the peninsula. Near the Mission was once the Chutchui village, where Franciscan monks later decided to build the Mission. While the church interiors were interesting to me, I was particularly drawn to the cemetery because it was my first time seeing one at one of the CA Missions. And it wasn't just interesting to me because I love gothic aesthetics! It actually has a disturbing & dark history (no pun intended). Interred at this cemetery are around 5,000 Native Ohlone people. Sources say that they supposedly died due to bad weather & diseases brought from Europe. Somehow, I have a feeling the "bad weather" reason is a crock of shit. We all know by now that genocide of Native people via disease & illnesses is nothing new, especially now as we are witnessing the genocide of the Palestinian people, whom the Israeli government has blocked from receiving life-saving COVID-19 vaccines. There's also no way I counted 5,000 headstones at this cemetery, so they were likely buried together in an unmarked mass grave. Like all the other CA Missions, this one was no different. It was built by the forced labor of CA Natives, who were called "Indios" & violently forced to convert to Catholicism & adopt a Spanish name — just like the Natives of the so-called Philippines.  Statue of St. Francis of Assisi.
What I find particularly resonant is the work of Ohlone descendants to honor their ancestors, who were wrongfully killed by Spanish colonisers on this property and buried here. In 2001, members of their community built this Ohlone tule hut as a lasting memorial to them.
I hope one day this statue of Junipero Serra is toppled, too. 😤
Also at this cemetery is a statue of Kateri Tekakwitha, who apparently was a Native Mohawk woman from New York who converted to Catholicism & later became a saint. Beneath her statue reads "In prayerful memory of our faithful Indians." Some believe she was placed in the cemetery to ease animosity between the Natives & the Mission, & to serve as a marker for those unnamed.
Unfortunately, I couldn't find who this statue is of. 😅 If you happen to know, please feel free to drop a comment! I did love the juxtaposition of the statue with the green & the orange cone, so I decided to keep these in color.  Mission Dolores BasilicaWhile the Mission San Francisco de Asis was founded in 1776 (technically JUST before the United States was established as a country!), the Mission Dolores Basilica was built 100 years after in 1876. I don't know what more to say about this basilica, other than the fact that it reminds me of churches in the Philippines. 😅 This was the last space I visited at the Mission site. I didn't get any photos of the ceiling mural, but make sure to look up if you visit. While the small Mission church certainly had its own charm, the basically was epic in comparison.
 
 
Additional photos & research from the rest of my residency are forthcoming & will be tagged under ARROZidency.
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
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As I've concluded my main project for my residency, I'm now sharing the rest of my photography, research & experience during my month-long ARROZidency. If you are just starting here, I recommend scrolling to the bottom to start at the beginning. View from a computer for the full experience! As another reminder, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For an extended roundup of my research during my residency, visit: Prior to arriving in San Francisco, I was notified that we would be having a studio visit from a curator at the Asian Art Museum, just a few days after I settled into the studio. It was a bit stressful to prepare some work to present in advance! However, it was also exciting and satisfying. As a residency participant, I was happy I received the full experience that was advertised: the opportunity to connect with curators & other artists. Of course, I could have gone simple & just made a few prints or brought in some older work, but I like making my life more difficult. 🥴 That also wouldn't have really resembled my aesthetic, & I wanted to present something closer to the type of work that I actually make. By now, most people know that my work is mainly lens-based, but in the last decade I've been thinking a lot about grief & offerings to the metaphysical & what this can look like — so, like I've done in the past, I wanted the two practices to meet. A friend pointed out recently that I use a lot of red in my work, & I haven't been able to stop thinking about it ever since. For this installation, I wanted to stick to a color palette of red, gold & black as closely as possible, similar to the riso prints I made for this project. And although it may seem like hoarding, I promise there's a method to my madness & a reason why I collect so much ephemera on any trips I take, & it's because I know they'll be used again for an installation at some point or repurposed in some way. The installation was untitled, but it combined my newer photography with ephemera collected from recent trips to the Philippines, with each tier serving as a mini altar and offering to each place or item. original mock-up & Final InstallationPictured left is the mock-up of the installation that I'd originally envisioned. As you can see, it had slight edits later, as well as some additions of items I didn't originally photograph for the mock-up. When we think of altars & the spirit realms, we often think of tiers, namely the 3 tiers of the underworld, physical world, & spirit world. Originally, I'd wanted to create a 3-tier installation, which would have made more sense for me, but wall space was limited & I wanted a decent amount of spacing in between columns. I also think a lot about tiers when thinking about the homeland, & the tiered rice paddies throughout our region that have been tended to by generations of ancestors. Everything from the collection of ephemera to the size choice is a reference to the maximalism & space limitations many of us experienced in working class immigrant households. Our family always wanted to maximise any small space to display as many memories as they could share, whether it was small printed photos from family gatherings, or prayer cards wedged into a corner of a frame. Click any image below to enlarge. Installation shots were photographed with my Nikon ZF & a 24-70mm lens.
EphemeraMost pictured here were used in the installation. Some ended up not being used, but I photographed them for the purposes of including them in mock-up designs. Some additional misc ephemera ended up being added at the last minute, because I randomly found them later in my junk collection (sadly, not pictured below). I've always been in the practice of collecting ephemera from trips, both as memory keepsakes & also to think about how they could be repurposed in the future. While not all that is shown below ended up being used in the installation, each had its own significance that I look back on fondly. Here's a description list for each item. Click on an image below for its corresponding number, but it will go from left to right. 1. This rosary wasn’t collected in the Philippines. It was left on an altar I made for my late friend Xam, placed there by his mother. It goes on every altar installation I create now, & even though he is gone, it's my small way of inviting him. 2 & 7. Prayer booklets & prayer card in Bisaya & English, & mini statue that I purchased from a religious souvenir shop opposite the basilica in Cebu, where I also purchased my Santo Niño statue (#4). 3. Plane tickets on my first ever trip to Cebu — hopefully not the last trip, because there's still so much more I need to explore on that island! 4. Small wooden Santo Niño statue I purchased at the religious souvenir shop opposite the basilica in Cebu. This is the same statue I brought with me to get blessed during the two Santo Niño Fiestas photographed in my VENERATING AN ICON photo essay project. 5-6, 11. Prayer booklet & prayer cards I purchased at a religious souvenir shop at the Namacpacan Church in Luna, La Union — home of the largest image of the Mama Mary (Apo Baket) across the archipelago. More on this below. 8. Ceramic Santo Niño sculpture I found at a public market while shopping for woven items in San Fernando, La Union. 9. My memory is hazy, but I think I bought this rosary at the religious souvenir shop at Namacpacan Church, or possibly the one in Cebu. 10 & 13. Mama Mary keychain & screenprinted Ilokano prayer cloth from the religious souvenir shop at Namacpacan Church. My original mock-up incorporated the prayer cloth, but the size was so much bigger than everything else, it threw the design off-balance, so I scratched it. 12. Receipt from a clothing shop near the basilica in Cebu. Much like the Vatican in Italy, they JUST started enforcing a dress code only a couple of days before we visited. They wouldn't let me in, because they could see the backs of my knees! I had to find a shop nearby that sold long skirts that I could put over my dress. 14-16. Magnets we bought on the street next to the basilica in Cebu. I ended up not using any of these in the final installation, & instead ended up giving some to my residency host. All of these were photographed on a table outside with my iPhone, then I uploaded them into Canva & used the background remover tool. 😅                 PHOTO PRINTS:Printed digital photos in order of appearance from left column to right column in the installation. Left column of photos were from my 2024 visit to Cebu City to visit the original image of the Santo Niño de Cebu. Left column of photos were from my 2024 visit to Luna, La Union to visit the Apo Baket. You can read more about both trips, the history, research & significance of them in my photo series Return Call. I knew that for this installation, I wanted to include photography from my trip to Cebu, because it was closely related to the work I would be doing in my residency, photographing the Santo Niño Fiestas. However, I decided to include photos of my recent trip to Luna, because similarly to the Santo Niño de Cebu, the Mama Mary in Luna also has miraculous lore behind her dating back to the Spanish colonial period. However, while it's true that her existence in Luna is miraculous, she gets nowhere near as much tourism as the Santo Niño de Cebu does, & seems more like just a local legend instead of an international wonder. I wanted to juxtapose the two, because while I may be Filipina, Cebu & the Bisayas are not my culture, as someone with origins in the Ilokano provinces of the Northern Philippines. I wanted to include something closer to our culture to be more representative of the local history of the region we're from. Photos 1-4 were from Cebu. Photos 5-9 were from Luna. Click an image below to enlarge.          Studio Visits:Lastly, I got to have a few studio visits with some local artists & others. This residency was so busy, because nearly every day I was working on something, going somewhere, meeting someone, or having someone over for a studio visit. Here are some photos from some of the visits I had: Photos by Adrian Discipulo. It was exciting to meet Adrian for multiple reasons. Before starting the residency, I was raising funds & selling some of my work left over from an art fair a few months prior. Adrian ended up contacting me online for one of the prints. When asking for his mailing address, I saw he was based in NorCal & told him I would be there for a month, if he wanted to stop by the studio, because I appreciate trying to meet my buyers when I can. It eases my mind to know who I'm selling to is a decent person & the work will go to a good home. Anyways, he ended up coming by. He is also a photographer, which was fun to have someone to talk about gear with! After getting to know each other a bit, we also learnt that our families are both from the same province in the Philippines, from neighboring towns! The town where my parents went to school & university, next to the town where they were born. It's always exciting to meet someone else from the same province, let alone town! We also got to check out some exhibition openings for San Francisco Art Week over at the Minnesota Street Project galleries, just opposite the studios. I will share these photos later! The soft quality of Adrian's photos was my fav. Thank you for these!
Photos by Ellie Lopez. Ellie is a NorCal-based poet I got to work with on a photography x poetry program for my project MATA ART GALLERY. She ended up coming by to visit & bought some remaining prints. We ended up going on an impromptu visit to the San Francisco botanical garden, where we learnt we both love pro-wrestling, LOL! We had dinner at a vegan restaurant near the garden & ended the night with boba. It was great to spend 1:1 time with someone I kept in touch with online for so long. She was so kind, supportive & generous. Thank you for visiting!
Lastly, my older brother was kind enough to come up to visit me for a few days. He has a fond connection to the Bay, since he lived there for 7 years. We had so much fun doing classic San Francisco stuff, like riding the streetcars (which I haven't done since I was a kid), riding the ferris wheel, eating seafood & ice cream at the pier, & driving up to Petaluma to visit our cousin who had just given birth. He also helped me deinstall & pack up my studio, which felt so bittersweet. The month was so busy, it truly went by so fast. Silly pics from my brother's iPhone below, because I can't always be serious about everything all the time! If you know, you know. *queues entrance music*
Additional photos & research from the rest of my residency are forthcoming & will be tagged under ARROZidency.
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. The second part of this 2-part series will, in itself, be split into 3 sections, as it's quite long. If you are starting here, I recommend scrolling to the bottom of this series & starting from part 1. And, in case you missed it, I've split up the work from my residency into 2 separate tags: For my main residency project only, visit: For an extended roundup of my research during my residency, visit: The second Santo Niño Fiesta we visited was at Saint Augustine Catholic Church in South San Francisco (which is its own city separate from the City of San Francisco). SSF is the city next to San Bruno, where the first fiesta took place. It is also adjacent to Daly City, where a large FilAm community resides. South San Francisco was just a BART ride away from where I was staying in San Francisco proper. While the interior architecture of this church wasn't as interesting as the first church, there was a lot more to look at within the exterior church complex itself. It reminded me a lot of the churches I've visited in the Philippines. The church was also a lot more spacious, with more room for the Sinulog performance later on. I'll share those photos in parts 2.2-2.3! This event was similar to the last one, where they had a procession for the Santo Niño, Mass, & people brought their own Santo Niños to be blessed. It was actually very exciting to see more people bring their images, & to see the many diverse kinds! Images were photographed using my Nikon ZF & 24-70mm lens. Click on an image below to enlarge. I recommend viewing from a computer for the full experience.
   
   
Sections 2.2 & 2.3 of part 2 are forthcoming, which will contain both photo & video!
Make sure to keep checking this space, follow me on Instagram, subscribe to my YouTube channel, or subscribe to my newsletter for updates on my blog posts, projects, or upcoming programs. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. If you're reading this: Congratulations! You made it to Friday & survived another week of this capitalist hellscape & arbitrary white supremacy culture... We did it. 🥲 I'm up late trying to finish this photo blog. Shout out to all my creatives who stay up late working on their art, while having a day job in the morning that they need to report to in order to survive & support their creative practice... It's not easy to balance both. I've struggled with it a lot in the past & found that my creative practice always has to take a back seat to wage labor & surviving capitalism. It's hard not to be depressed knowing that is just reality & there's nothing you can really do about it, but oh well, I guess. Anyways, here's some photos from Heritage Square Museum's Dia de los Muertos event last weekend. It was our first time visiting Heritage Square Museum (despite living in Northeast LA for over 10 years!) & it was really interesting. We would love to go back another time when there isn't a massive event going on & actually check out the historic homes and other sites on the property. Growing up in Los Angeles, Dia de los Muertos has always been one of my favorite celebrations. In the Philippines we know it as Undas. I've always had a fascination with death. I'm not uncomfortable talking about it — it's just part of life & sadly it's just been around me a lot. In fact, I had a few near-death encounters in my early 20s myself... Everywhere I've lived as an adult, I've always had an altar in my house to honor the ancestors & invite the spirits for protection & good energy. This is not a practice I grew up with, as I was not raised religious or spiritual in any way, but something I learnt to practice on my own. The good part about not having religion or spirituality forced on me was, I had the freedom to explore different beliefs & study them on my own. Day of the Dead is something I look forward to every year. And if you know me, you know I've produced a few programs centering the occasion myself.
These photos below were created with my Nikon ZF & Pocket Dispo lens. For clarity, I was not paid for these photos. I went to this event & did photography for fun. If you want to hire me for event photography, please get in touch! View from a computer for the full experience. Click a photo to enlarge.
 Some of you know I love vintage public transportation. 🤓 
Live painting by @samanthafriedart (right). 
 
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If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. If you are starting here, this is the last installment out of a 4-part series. I recommend you scroll down to part 1 & start viewing from the bottom up. This last set of photos was from one of my last days I got to spend in Tokyo. I remember it was grey & gloomy, & I was still processing a lot of emotions from being in the Philippines for a month prior. I knew it was likely going to be my last time there for a long time, maybe ever, so I wanted to make it something special & do something my inner-kid self would have loved. When I was growing up in the 90s, I was obsessed with Sailor Moon as a kid. It was easily my fav Japanese cartoon, & I still have fond memories of rushing home to watch it afterschool on Toonami. Ahhh, those were the good old days... At a young age, I was already obsessed with the dreamy aesthetics & space-themed stuff. It's no wonder why as an adult, I love astrology so much now, haha! I remember doing a search for Sailor Moon destinations in Tokyo, mostly expecting to find shops or something. Which, I would have been fine with, to buy some souvenirs. There was a Sailor Moon shop in Harajuku, but what I learned about was way cooler... Here's a Google Map guide with some places I recommend in Minato City! Make sure to check out the notes I left in the locations. Not much on this map, but it at least gives you an idea for how I planned my day. All blogs in this series can be found in the Mono No Aware tag. All photos were made using my Nikon ZF. BEST VIEWED FROM A COMPUTER FOR THE FULL EXPERIENCE. CLICK ANY IMAGE BELOW TO ENLARGE. AZABU HIKAWA SHRINE
 
  
  The Azabu Hikawa Shrine is a destination many Sailor Moon fans visit. It influenced the home of Rei (Sailor Mars) in the anime, & the red used in Sailor Mars' uniform is a reference to the red structures in the property. I was lucky when I visited, I was the only one there! I thought maybe it would be filled with tourists for this reason. ARISUGAWA-NO-MIYA MEMORIAL PARK  
 After the temples, I walked over to Arisugawa-no-miya Memorial Park, since it was walking distance. This park was one of the most beautiful urban parks I've ever visited. I didn't even feel like I was in the city anymore. I felt like I was transported somewhere else, it was unreal.
Before heading over to the temple, I'd actually ridden a bike over to Fruits and Season to get vegan fruit sandwiches one more time & enjoy them at the park. This park is special, because it's a backdrop for a location Usagi (Sailor Moon) & Mamoru (Tuxedo Mask) used to meet as well as have dates in the anime. It was so cute & I really felt like I was in the anime at some points. And that's the end of my Japan blog series, until I can ever go back again someday... Recently I was feeling really down, because instability just does that sometimes. When I finally got the motivation to start sorting through and editing all the digital photography I made in Japan, it made me so happy to revisit. I started to think about how lucky I was to have been there, to actually live my life, ride a bike everywhere like I used to, & get to reconnect with long distance friends. I even got to do something I really wanted & I rented a Japanese micro apartment. I was really excited about it because I love watching videos about micro apartment living in Japan, to wind down before bed, haha! I know there's a lot of negative things to say about a Filipina-American vacationing in Japan... I get it... TRUST ME, I GET IT.. Discourse is welcome, but I won't have anything to argue because I'm already aware. So judge away & assume what you want about me. Anyways, the end. Thank you for checking out my digital photos from Japan! I'll get to the film when I get to it. 🥴 Make sure to keep checking this space, follow me on Instagram, or subscribe to my YouTube channel for updates on my blog posts. If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments.
Got to have a fun little day trip to Kamakura with my friend Ace who was living in Okinawa at the time. He had never been to Kamakura either!
We took the train to Hase Station. From there, there are small gardens to see on your way to the main attraction of Kamakura — the Kamakura Daibutsu located in Kōtoku-in. On the way to Kōtoku-in, we stopped by the Kosoku-ji Temple for a quick stroll. There were sweet trails along gardens & a cemetery filled with mosquitos. We were covered in bites after. From Kosoku-ji Temple we had a little coffee/tea break, then we came across a retro video game shop on our walk to the Daibutsu. Near the video game shop was a dango shop, so I had to get one of my fav Japanese treats while I was in Japan. Something about having fresh hot dango in a small coastal town in Japan just hit different... After a little snack break, we finally made it to the Daibutsu at Kōtoku-in. Neither of us could believe how massive the bronze sculpture was in real life. It was def worth the hype. This was the one thing I really wanted to see the most in Japan this time & I'm glad we got to make the trip out to Kamakura to go see it! After seeing the Daibutsu, me made the hike around Kamakura down to Kamakura Station to eventually end our day. We ended up at a tea shop where I got to try ochazuke for the first time! All around Kamakura Station is a small shopping district, so plenty of shops to visit around there as well. 
If I'm remembering correctly, this was the route we took from Hase Station to the Daibutsu & then ending at Kamakura Station. It was a long walk, but we got to see a lot of Kamakura this way. Kamakura was such a charming & quaint small town by the ocean. The air & breeze felt so fresh, something my lungs haven't experienced for a long time! The combo of the ochazuke with the ocean breeze was both healing & cozy.
Here's a Google Map guide with some places I recommend in Kamakura! Make sure to check out the notes I left in the locations. These were the few pics I got to take in Kamakura. As you read previously, I was getting burnt out on photography by this time of my trip. At this point, I really just wanted to spend time with my friend & take a break to just take it all in. This is the 3rd installment of 4 parts. Keep following for the last part: Minato City. All blogs in this series can be found in the Mono No Aware tag. All photos were made using my Nikon ZF. Enjoy! BEST VIEWED FROM A COMPUTER FOR THE FULL EXPERIENCE. CLICK ANY IMAGE BELOW TO ENLARGE! Kosoku-ji Temple
Kōtoku-in Temple
Make sure to keep checking this space, follow me on Instagram, or subscribe to my YouTube channel for updates on my blog posts.
If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. I've finally had a moment to sort through the digital photography I did in Japan last year. I'm actually impressed it wasn't that many photos, haha! Before heading to Japan last year, I'd just spent a month in the Philippines. During my time there, I started a new photo series, Return Call (WIP). By the time I got to Japan, I was so burnt on photography. I didn't take as many photos as I did the prior month in the Philippines. I was processing a lot at the time. Being in Tokyo was a lot to process as well. From nature to neon, I felt overwhelmed by it all. Mono No Aware (moh-noh noh uh-WAR-ee) shares some of the digital photography I created in Japan. Mono No Aware is a Japanese concept referring to the fleeting nature of life, an awareness for the temporary & finding beauty in impermanence. When I read about this concept, I felt this applied a lot to the photo work I create — documenting urban life & cityscapes that are continually changing. This is the 1st installment of 4, starting with Shibuya, as well as a quick excursion to Shinjuku the day after I landed. Keep following for the next 3 parts including: Setagaya City, Kamakura & Minato City. All blogs in this series can be found in the Mono No Aware tag. All photos were made using my Nikon ZF. Enjoy! BEST VIEWED FROM A COMPUTER FOR THE FULL EXPERIENCE. CLICK ANY IMAGE BELOW TO ENLARGE! SHIBUYA   
My first time doing street photography at night! Shibuya was not my favorite place & I definitely stayed in the most chaotic, but also most centrally located, part of Shibuya — near Shibuya Station. Shibuya was really easy to get to from Narita Airport, especially since I landed late at night. It was a straight shot on the Narita Express train. I remember getting off the train & immediately feeling sensory overload. There were so many lights, it was noisy, & there were huge crowds everywhere. It was also Halloween season, & they banned public drinking on the streets, haha. October was an amazing time of the year to go, because the weather was PERFECTION, & while the crowds did still exist, it was definitely more of an off-season. While Shibuya was not my favorite place, I loved the apartment I rented, there were plenty of bike share hubs, easy to get to/from the airport, plenty of affordable food options, & it's heaven for street photographers & anyone who loves people watching! Shibuya is great if you love shopping & socialising. Greater Shibuya was lovely & less chaotic, with way less crowded streets for cycling, AWESOME record shops, & incredible food & treats, especially in Ebisu!   kids & baby cut  (Yes, I'm aware Snoopy is wearing a racist costume.) RECOMMENDATIONS:
Honozono Shrine in ShinjukuI rode a bike, went to this shrine & record shopping the day after I arrived in Shibuya. There was a flea market here but none of the items were interesting to me. 😅 It was my first day riding out in Tokyo & I felt like I was fighting for my damn life. 🤣 (me in my head: I have this in Animal Crossing ⛩️) 
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If you've read this far, thank you! Please feel free to share your thoughts or any questions in the comments. |
NICA AQUINOIn this space I'll share digital previews of my film photography, updates on new artworks in progress, upcoming programs, inspiration & my other misc interests. Archives
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